Reveries Of Community

This book is an autobiography written by a Genevan philosopher, Jean-Jacques Rousseau. The content of this book is divided into ten "Walks" or chapters. The book's subject matter is a mix of autobiographical anecdotes, descriptions of the scenery, particularly plants, that Rousseau saw on his walks around Paris, and explanations and extensions of assertions previously made by Rousseau in fields such as education and political philosophy. The work is characterized by tranquility and resignation in large parts, but it also refers to Rousseau's recognition of the negative effects of persecution towards the end of his life.

An exploration of the soul in the form of a final meditation on self-understanding and isolation.

A B&N's YA Book Club Pick * Walmart Buzz Pick * Indie Next Pick * Book of the Month Club YA Box A "joyously, riotously queer" (Kirkus) young adult fantasy from debut author Ryan La Sala, Reverie is a wildly imaginative story about dreams becoming reality, perfect for fans of Adam Silvera and Laini Taylor. A few weeks ago, Kane Montgomery was in an accident that robbed him of his memory. The only thing he knows for certain is that the police found him half-dead in the river. The world as he knows it feels different—reality seems different. And when strange things start happening around him, Kane isn't sure where to turn. And then three of his classmates show up, claiming to be his friends and the only people who can tell him what's truly going on. Kane doesn't know what to believe or who he can trust. But as he and the others are dragged into increasingly fantastical dream worlds drawn from imagination, it becomes clear that there is dark magic at work. Nothing in Kane's life is an accident, and only he can keep the world itself from unraveling. Reverie is an intricate and compelling LGBT young adult book about the secret worlds we hide within ourselves and what happens when they become real. Praise for Reverie: "This outstanding debut novel will light readers' imaginations on fire...Imaginative, bold, and full of queer representation, this is a must-purchase for YA collections."—School Library Journal *STARRED REVIEW* "This fantasy offers readers something wonderfully new and engaging...a gem of a novel that is as affirming as it is entertaining."—The Bulletin of the Center for Children's Books "The story's many LGBTQ characters are prominently represented and powerfully nuanced."—Publishers Weekly "A darkly imagined, riveting fantasy... thrilling."—Shelf Awareness "Joyously, riotously queer... The themes of creating one's own reality and fighting against the rules imposed by the world you're born into will ring powerfully true for many young readers."—Kirkus Reviews

Reveries of Community reconsiders the role of epic poetry during the French Wars of Religion, the series of wars between Catholics and Protestants that dominated France between 1562 and 1598. Critics have often viewed French epic poetry as a casualty of these wars, arguing that the few epics France produced during this conflict failed in power and influence compared to those of France’s neighbors, such as Italy’s Orlando Furioso, England’s Faerie Queene, and Portugal’s Os Lusíadas. Katherine S. Maynard argues instead that the wars did not hinder epic poetry, but rather French poets responded to the crisis by using epic poetry to reimagine France’s present and future. Traditionally united by une foi, une loi, un roi (one faith, one law, one king), France under Henri IV was cleaved into warring factions of Catholics and Huguenots. The country suffered episodes of bloodshed such as the St. Bartholomew’s Day Massacre, even as attempts were made to attenuate the violence through frequent edicts, including those of St. Germain (1570) and Nantes (1598). Maynard examines the rich and often dismissed body work written during these bloody decades: Pierre de Ronsard’s Franciade, Guillaume Salluste Du Bartas’s La Judit and La Sepmaine, Sébastian Garnier’s La Henriade, Agrippa d’Aubigné’s Les Tragiques, and others. She traces how French poets, taking classics such as Virgil’s Aeneid and Homer’s Iliad as their models, reimagined possibilities for French reconciliation and unity.

Reveries of Home considers understandings of home in the world today and the means by which feelings of homeliness are secured. In particular, the volume explores the relationship between the phenomenon of globalisation and the ways in which home-making entails acts of practical and symbolic emplacement in landscapes felt to be meaningful and authentic. A series of case-studies, from Norway and West Africa, the mid-western USA, Egypt, Scotland and elsewhere, offer an illustrative array of homes made in rural communities and urban worksites, in personal life-histories and the policies of diasporic groups, in ceremonial revivals and mundane routines: in postcards, house furnishings, dreams, clothes and smells. Home-making appears as a kind of work; and it is ongoing, for ‘place’ and being ‘emplaced’ are not givens. Instead, home-making exists in time: in moments of individual and collective performance which are both mundane and memorial. Reveries of Home offers a set of cases and a set of arguments that reveal the close connections that remain between home and identity, even in a world of movement.

In this, his last significant work, an admired French philosopher provides extraordinary meditations on the relations between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference. In his earlier book, The Poetics of Space, Bachelard considered several kinds of "praiseworthy space" conducive to the flow of poetic imagery. In Poetics of Reverie he considers the absolute origins of that imagery: language, sexuality, childhood, the Cartesian ego, and the universe. Approaching the psychology of wonder from the phenomenological viewpoint, Bachelard demonstrates the aurgentative potential of all that awareness. Thus he distinguishes what is merely a phenomenon of relaxation from the kind of reverie which "poetry puts on the right track, the track of expanding consciousness"

Offers essays in which a bachelor muses on boyhood, country life, travel, marriage, and, the act of dreaming itself.

Sacred Estrangement analyzes certain works by important American writers and thinkers in the context of the "rhetoric of conversion." Such analysis is especially valuable because it provides a reliable index of the relationship between the self and larger communities. Traditionally, "conversion" has served a socializing function, signifying that one has come into alignment with certain linguistic, behavioral, and cultural expectations. The socialization process is particularly apparent in the Christian conversion narratives of the seventeenth through nineteenth centuries: by publicly testifying to a conversion experience, believers became empowered members, not only of God's elect community but also of a local population. As modern autobiography developed in the eighteenth and nineteenth centuries, the Christian pattern was secularized and individualized. Conversion became a model for many kinds of psychological change. With the coming of the twentieth century, however, the authors upon whom Peter Dorsey focuses, including William and Henry James, Henry Adams, Edith Wharton, Ellen Glasgow, Zora Neale Hurston, and Richard Wright, radically revised conversion rhetoric. If conversion had traditionally linked the search for illumination with the search for a defined social role, these writers increasingly used conversion as an index of estrangement from mainstream America. Dorsey documents this profound change in the way American intellectuals defined the "self," not in terms of personal orientation toward or away from a given community, but as a resistance to such an orientation altogether, as if social forces by their "nature" were a threat to personal identity.