Review Of The New York Musical Season 1885 1886 1888 1890

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Review of the New York Musical Season 1885-1886: Containing Programmes of Noteworthy Occurrences, With Numerous Criticisms When the time is not indicated it is to be understood that the occurrence took place at the usual evening hour; likewise that the concerts of the Philharmonic, Brooklyn Philharmonic, Sym phony and Oratorio Societies were preceded by Public Rehear sals. H. E. Krehbiel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Review of the New York Musical Season 1885-1886: Containing Programs of Noteworthy Occurrences, With Numerous Criticisms, and in an Appendix a Survey of Choral Work in America Accuracy in the record has been my chief concern in the compilation of the programmes contained in this Review. The critical remarks on the novelties brought forward in the season are, as a rule, extracted from my contributions to the New York "Tribune" newspaper, of whose editorial staff I have the honor and pleasure of being a member. There is, however, considerable matter in the Retrospect which is here printed for the first time. The plan of the book is like that of its three predecessors, save that it has been extended to include, in an Appendix, a general survey of the activities of American Choral Societies during the period covered by the local record. When performances of novelties are credited to the Concerts of the New York Philharmonic Society, Brooklyn Philharmonic Society, Symphony Society, or Oratorio Society, it should be borne in mind that the compositions were, in reality, first heard at the public rehearsals for these concerts, held, in each case, on the afternoon of the preceding day. For valuable help in the compilation of programmes I am indebted to Mr. Charles F. Tretbar and Mr. J. H. Alpuente. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.