Rewriting White

What did it mean for people of color in nineteenth-century America to speak or write "white"? More specifically, how many and what kinds of meaning could such "white" writing carry? In ReWriting White, Todd Vogel looks at how America has racialized language and aesthetic achievement. To make his point, he showcases the surprisingly complex interactions between four nineteenth-century writers of color and the "standard white English" they adapted for their own moral, political, and social ends. The African American, Native American, and Chinese American writers Vogel discusses delivered their messages in a manner that simultaneously demonstrated their command of the dominant discourse of their times-using styles and addressing forums considered above their station-and fashioned a subversive meaning in the very act of that demonstration. The close readings and meticulous archival research in ReWriting White upend our conventional expectations, enrich our understanding of the dynamics of hegemony and cultural struggle, and contribute to the efforts of other cutting-edge contemporary scholars to chip away at the walls of racial segregation that have for too long defined and defaced the landscape of American literary and cultural studies.

Unlike current survey articles and textbooks, here the so-called confluence and termination hierarchies play a key role. Throughout, the relationships between the properties in the hierarchies are reviewed, and it is shown that for every implication X => Y in the hierarchies, the property X is undecidable for all term rewriting systems satisfying Y. Topics covered include: the newest techniques for proving termination of rewrite systems; a comprehensive chapter on conditional term rewriting systems; a state-of-the-art survey of modularity in term rewriting, and a uniform framework for term and graph rewriting, as well as the first result on conditional graph rewriting.

In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.

This book presents throroughly revised full versions of the 21 papers accepted for the Fourth International Workshop on Conditional and Typed Rewriting Systems, CTRS-94, held in conjunction with ICALP '94 in Jerusalem, Israel, in July 1994. The volume reports the research advances in the area of rewriting in general achieved since the predecessor workshop held in July 1992. Among the topics addressed are conditional term rewriting, typed systems, higher-order rewriting, graph rewriting, combinator-based languages, and constrained rewriting.

In recent years, extensions of rewriting techniques that go beyond the traditional untyped algebraic rewriting framework have been investigated and developed. Among these extensions, conditional and typed systems are particularly important, as are higher-order systems, graph rewriting systems, etc. The international CTRS (Conditional and Typed Rewriting Systems) workshops are intended to offer a forum for researchers on such extensions of rewriting techniques. This volume presents the proceedings of the second CTRS workshop, which contributed to discussion and evaluation of new directions of research. (The proceedings of the first CTRS workshop are in Lecture Notes in Computer Science, Vol. 308.) Several important directions for extensions of rewriting techniques were stressed, which are reflected in the organization of the chapters in this volume: - Theory of conditional and Horn clause systems, - Infinite terms, non-terminating systems, and termination, - Extension of Knuth-Bendix completion, - Combined systems, combined languages and modularity, - Architecture, compilers and parallel computation, - Basic frameworks for typed and order-sorted systems, - Extension of unification and narrowing techniques.

A transdisciplinary reader on Luce Irigaray's reading and re-writing of Ancient Greek texts.

Every screenwriter needs to rewrite—more than once, probably many times—to make the story work and then to make a sale. And then again later on, to please producers, studios or stars. Tom Lazarus--author of "Stigmata", among other scripts--is a working screenwriter and professor at UCLA extension. In this book, he's distilled his own experience and that of other screenwriters into a system. SECRETS OF FILM REWRITING will teach writers how to: -prioritize big scenes -track transitions -plot corrections -add new information -pass through for dialogue -do an "on the nose" rewrite Hugely valuable to first-time screenwriters and to grizzled veterans of Hollywood pitch wars alike, SECRETS OF SCREENPLAY REWRITING is larded with humor and attitude as well as information. Its anatomy of a screenplay rewrite breaks down the book's lessons into their practical application—a must for anyone looking for a break in the film business.