Rhetorical Campaigns Of The 19th Century Anti Catholics And Catholics In America

Examines anti-Catholic intolerance and the response by American Catholics during the 19th century, focusing on how rhetoric produced by both sides propelled the ideas and events of the era. Addresses how various genres of anti-Catholic discourse developed and how they gave force to the notion that the immigrant Catholic community was a threat to American liberty, and discusses how political organizations used these discourses. Offers a reading of Catholic rhetoric as a strategic response to anti-Catholicism. The author is associate professor and chair of the department of speech at Ripon College.

This volume gathers over 40 world-class scholars to explore the dynamics that have shaped the Irish experience in America from the seventeenth to the twenty-first centuries. From the early 1600s to the present, over 10 million Irish people emigrated to various points around the globe. Of them, more than six million settled in what we now call the United States of America. Some were emigrants, some were exiles, and some were refugees—but they all brought with them habits, ideas, and beliefs from Ireland, which played a role in shaping their new home. Organized chronologically, the chapters in this volume offer a cogent blend of historical perspectives from the pens of some of the world’s leading scholars. Each section explores multiple themes including gender, race, identity, class, work, religion, and politics. This book also offers essays that examine the literary and/or artistic production of each era. These studies investigate not only how Irish America saw itself or, in turn, was seen, but also how the historical moment influenced cultural representation. It demonstrates the ways in which Irish Americans have connected with other groups, such as African Americans and Native Americans, and sets “Irish America” in the context of the global Irish diaspora. This book will be of value to undergraduate and graduate students, as well as instructors and scholars interested in American History, Immigration History, Irish Studies, and Ethnic Studies more broadly.

Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these elements were viewed with suspicion as foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America. Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism. Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries.

By the mid nineteenth century, anti-Catholicism had become a central conflict in America. Fueling the dissent were Protestant groups dedicated to maintaining what they understood to be the Christian vision and spirit of the "founding fathers." Afraid of the religious and moral impact of Catholics, they advocated for stricter laws in order to maintain the Protestant predominance of America. Of particular concern to some of these native-born citizens, or "nativists," were Roman Catholic immigrants whose increasing presence and perceived allegiance to the pope alarmed them. The Nativist Movement in American History draws attention to the religious dimensions of nativism. Concentrating on the mid-nineteenth century and examining the anti-Catholic violence that erupted along the East Coast, Katie Oxx historicizes the burning of an Ursuline convent in Charlestown, Massachusetts, the Bible Riots in Philadelphia, and the theft and destruction of the "Pope's Stone" in Washington, D.C. In a concise narrative, together with trial transcripts and newspaper articles, poems, and personal narratives, the author introduces the nativist movement to students, illuminating the history of exclusion and these formative clashes between religious groups.

In the late eighteenth century, French émigré priests fled the religious turmoil of the French Revolution and found themselves leading a new wave of Roman Catholic missionaries in the United States. Fathers on the Frontier explores the diverse ways these missionary priests guided the development of the early American church in Maryland, Kentucky, Louisiana, and other pockets of Catholic settlement throughout much of the trans-Appalachian West. Over the course of their evangelistic endeavor, this relatively small group of priests introduced Gallican, ultramontane, and missionary principles to a nascent institutional church prior to the immigration of millions of European Catholics in the nineteenth century. As author Michael Pasquier shows, this transformation of American Catholicism did not come easily. Several generations of French priests struggled to reconcile their romantic expectations of missionary life with their actual experiences as servants of a foreign church scattered throughout a frontier region with limited access to friends and family members still in France. As they became more accustomed to the lifeways of the American South and West, French missionaries expressed anxiety about apparent discrepancies between how they were taught to practice the priesthood in French seminaries and what the Holy See expected them to achieve as representatives of a universal missionary church. At no point did French missionaries engage more directly in distinctively American affairs than in the religious debates surrounding slavery, secession, and civil war. These issues, Pasquier argues, compelled even the most politically aloof missionaries to step out of the shadow of Rome and stake their church on the side of the Confederacy. In so doing, they set in motion a strain of Catholicism more amenable to Southern concepts of social conservatism, paternalism, and white supremacy, and strikingly different from the liberal, progressive strain that historians have usually highlighted. Focusing on the collective thoughts, feelings, and actions of priests who found themselves caught between the formal canonical standards of the church and the informal experiences of missionaries in American culture, Fathers on the Frontier illuminates the historical intersection of American, French, and Roman interests in the United States.

Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue.