Rhythm And Transforms

Rhythm and Transforms is a book that explores rhythm in music, its structure and how we perceive it. The book will be bought by engineers interested in acoustic signal processing as well as musicians, composers and computer scientists. Anyone interested in the scientific basis of music from psychologists to the designers of electronic musical instruments will be interested in this book.

Rhythm and Transforms is a book that explores rhythm in music, its structure and how we perceive it. The book will be bought by engineers interested in acoustic signal processing as well as musicians, composers and computer scientists. Anyone interested in the scientific basis of music from psychologists to the designers of electronic musical instruments will be interested in this book.

This book presents original research applying mathematics to musical rhythm, with a focus on computational methods, theoretical approaches, analysis of rhythm in folk and global music traditions, syncopation, and maximal evenness. It honours the legacy of computer scientist and music theorist Godfried Toussaint. In addition to addressing a topic pioneered by Toussaint, application of mathematics to representation of musical rhythms, the volume also builds upon his interest in analysis of music traditions outside the European classical canon and the use of computational methods. Empirical contributions include a study of timing in Scandinavian polska performance showing that timing interacts with rhythmic features and a study of vocal melody rhythm in pre- and post-millennial popular music, showing significant differences in tempo, rhythmic density, and repetition in the two corpora. Theoretical contributions include a survey of timeline rhythms of African and African diasporic musics showing the prevalence of rhythms of a special type related to maximal evenness, an application of matrix algebra to rhythm and syncopation with analysis of clave rhythms, a ragtime corpus, and Balinese gong cycles, and a mathematical development of a new classification of smooth rhythms using a “shadow rhythm” algorithm suggested by Toussaint. The volume also includes an original composition by Tom Johnson and a personal recollection of Toussaint by Francisco Gómez-Martín. This volume will be a key resource for academics, researchers, and advanced students of music, musicology, music analyses, mathematical music theory, computational musicology, and music informatics. It was originally published as a special issue of the Journal of Mathematics and Music.

Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.

This book sets up ‘rhythmanalysis’ as an innovative methodology for theorizing and practicing cultural historical research.

The two-volume set LNCS 12794-12795 constitutes the refereed proceedings of the 9th International Conference on Culture and Computing, C&C 2021, which was held as part of HCI International 2021 and took place virtually during July 24-29, 2021. The total of 1276 papers and 241 posters included in the 39 HCII 2021 proceedings volumes was carefully reviewed and selected from 5222 submissions. The papers included in the HCII-C&C volume set were organized in topical sections as follows: Part I: ICT for cultural heritage; technology and art; visitors’ experiences in digital culture; Part II: Design thinking in cultural contexts; digital humanities, new media and culture; perspectives on cultural computing.

The Tel Quel Readerpresents for the first time in English many of the key essays that played an instrumental role in shaping the contours of literary and cultural debate in the 1960s and 1970s. Tel Quelwas a French journal and publishing team that printed some of the earliest work by Derrida, Bataille, Kristeva, Barthes, Foucault and Deleuze. From its beginning in 1960 to its closure in 1982, TQpublished some of the key essays of major poststructuralist thinkers. The Readerincludes essays available in English for the first time by Kristeva and Foucault, and a fascinating interview with Barthes. It provides a unique insight into the poststructuralist movement and presents some of the pioneering essays on literature and culture, gender, film, semiotics and psychoanalysis. Although articles included here cover diverse areas--from the semiology of paragrams to the readability of Sade, a common perspective runs through them: the recognition of excess and the seduction of writing. The Tel Quel Readerfills a crucial gap in the English literature on literary and cultural theory and presents a case for the enduring value of the journal's enterprise.

Logos Book Award Do you long for a deep, fundamental change in your life with God? Do you desire a greater intimacy with God? Do you wonder how you might truly live your life as God created you to live it? Spiritual disciplines are activities that open us to God's transforming love and the changes that only God can bring about in our lives. Picking up on the monastic tradition of creating a "rule of life" that allows for regular space for the practice of the spiritual disciplines, this book takes you more deeply into understanding seven key disciplines along with practical ideas for weaving them into everyday life. Each chapter includes exercises to help you begin the practices--individually and in a group context. The final chapter puts it all together in a way that will help you arrange your life for spiritual transformation. The choice to establish your own sacred rhythm is the most important choice you can make with your life.