Richard Wagner The Man And His Work Classic Reprint

Excerpt from Richard Wagner, the Man and His Work Professor William Lyon Phelps of Yale has recently written: "The book that I have most enjoyed reading in 1913 is Richard Wagner's autobiography, - 'The Story of My Life.' I have enjoyed reading it, because it shows what tremendous difficulties Wagner encountered, what suffering he had to pass through, and yet how in the end genius overcame everything. It is also an inspiring work to read because it shows how a man can remain true to an ideal, and can actually prefer Failure in the pursuit of the ideal to success accompanied with compromise." Now this "Story of My Life" is the book of all others that I would advise those to read who would know Wagner thoroughly, the authorized translation of which is published in America by Dodd, Mead & Co., New York, 1911. This is a wonderful book in the intimacy and frankness of its revelations. It is fascinating reading. It shows a great soul with many weaknesses and failing: s, but it reveals also what an intellectual vigor and a steadfast purpose can accomplish in this world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Richard Wagner His Life and His Dramas: A Biographical Study of the Man and an Explanation, His Much musical experience has been gained since this book was published in 1901. The excursion of Par sifal into the world, begun at the Metropolitan Opera House in 1903, has extended through several lands. Familiarity with the great lyric dramas has become a common possession of music lovers. An entire genera tion of opera patrons, fed, from infancy on Wagnerian' music, has reached maturity. The ancient battle for acceptance of the art work of the future is almost forgotten. A few white-haired opera goers and the members of fashionable society, who have always been hostile to every serious art aiming at something other than their entertainment, continue to complain when the name of Wagner appears in the programs. The broad world of art, letters and music and the circles of polite culture are, as usual, deaf to their murmurings. Wagner is performed as a matter of course. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Richard Wagner His Life and Works About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Wagner IT is probably safe to say that there has lived no more discussed a musician than Richard Wagner. For this reason I have purposely omitted any attempt at a Biblio graphy. The number of books, articles, and pamphlets that have been written about him and his works is legion, and anything like a representative list would have swollen this volume to unreasonable proportions. Amongst the more important biographical workers there should, however, be mentioned the names of Glasenapp, Tappert, Gasperini, Dannreuther (in Grove's Dictionary of Music and Chamberlain, while Wag nerian students owe a debt of gratitude to the excellent translated work which has from time to time been accomplished by Ashton Ellis, H. And F. Corder, and Alfred Forman. For similar reasons I was compelled to abandon the idea of supplying the various motif} in musical notation. To give only a few would have served no useful purpose; to give them in detail would V. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Wagner as Man and Artist It is in keeping with the whole character of the man that he Should have left us more copious documentary material concerning himself than any other artist has ever done. Publicity was as much a necessity to him as food and air. The most interesting person in the universe to him was always himself and he took good care that the world Should not suffer from any lack of know ledge of a phenomenon which he rightly held to be unique. It would be a Sign of unwisdom to despise him for this. It has to be recognised that whatever criticism the contemporary moralist might have to pass upon this or that portion of Wagner's conduct with the outer world, he was always the soul of purity and stead fastness in the pursuit of his ideal. He believed he had come into the world to do a great and indispensable work and if he occasion ally sacrificed others to his ideal, it must be admitted that he never hesitated to sacrifice himself. Regarded purely as an artist, no man has ever kept his conscience more free from stain. And it is precisely this ever-present burning sense of the inherent greatness of his mission that accounts primarily for his constant pouring-out of himself, not only in music - his musical output. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Life of Richard Wagner, Vol. 1 This volume brings our story down to 1843, an important era in Richard Wagner's life, with his entry, as composer of two successful operas, upon a so-called practical career at one of the principal German theatres. How he fared there, how he turned his back on Dresden and all office-bearing, and how he planned and actually commenced his great artistic reformation, will form the subject of Volume II. (to appear, as I hope, in Volume III. Will follow his changing fortunes, through the last two-thirds of his exile, down to his rescue by King Ludwig. This, I trust, will be ready in 1902; whilst, Subject to Herr Glasenapp's state of forwardness, I expect to complete the Life by a fourth volume in 1903. As I fancy I heard the bell ring, Ladies and Gentlemen, I withdraw to let the curtain rise. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from The Life of Richard Wagner, Vol. 3 See Appendix. The musical feuilleton of the Debats being Berlioz' own department, there can be no possible doubt that the signature Of this prefatory note, H. Is his. Presumably Liszt had sent the article to him in March. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.