Richard Was A Picker

Richard picks his nose, until one day he discovers the perils of his habit. When his finger gets stuck up his nose, Richard panics. Then his nose sucks up his arm. Before he knows it, all of him slides up his nose. Richard has become a giant booger. He propels his booger-ball self out of his house. But as he rolls down the sidewalk things get worse, way worse. Soon the whole town is chasing after him and jabbing at him. Will Richard be poked to pieces? With some quick thinking and a little luck, Richard avoids a terrible end.

The Bluegrass Picker's Tune Book is a must for all bluegrass pickers! Included are the melody line and chords to over two hundred favorite gospel and bluegrass songs. Detailed information about the origin and performers is given for each song as well as the history and development of the bluegrass genre. the lyrics are large and easy to read during a performance.

Mike Nichols burst onto the American cultural scene in the late 1950s as one half of the comic cabaret team of Nichols and May. He became a Broadway directing sensation, then moved on to Hollywood, where his first two films--Who's Afraid of Virginia Woolf? (1966) and The Graduate (1967)--earned a total of 20 Academy Award nominations. Nichols won the 1968 Oscar for Best Director and later joined the rarefied EGOT (Emmy, Grammy, Oscar, Tony) club. He made many other American cinematic classics, including Catch-22 (1970), Carnal Knowledge (1971), Silkwood (1983), Working Girl (1988), Postcards from the Edge (1990), and his late masterpieces for HBO, Wit (2001) and Angels in America (2003). Filmmakers like Steven Spielberg and Steven Soderbergh regard him with reverence. This first full-career retrospective study of this protean force in the American arts begins with the roots of his filmmaking in satirical comedy and Broadway theatre and devotes separate chapters to each of his 20 feature films. Nichols' permanent achievements are his critique of the ways in which culture constructs conformity and his tempered optimism about individuals' liberation by transformative awakening.

This is not a handbook for farmers. Farmers look after chickens, cows and pigs. Anyone can do that. This is not a handbook for zookeepers. Zookeepers look after monkeys, elephants and lions. That's easy. This is a handbook for zoomers. Zoomers look after very special beasts... Discover the secret of the shiger's stripy wool, the challenges of owning a loyal but gigantic dogephant and the special skills of the super-fast horsodile in this mind-bending, creature-blending debut from husband and wife team Thiago and Ana de Moraes.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the first general selection from the substantial body of surviving documents about Elizabeth’s navy. It is a companion to The Navy of Edward VI and Mary I (Vol.157 in the NRS Series), where the apparatus serving both volumes was printed, and it complements the other NRS volumes that deal specifically with the Spanish Armada. This collection concentrates (though not exclusively so) on the early years of Elizabeth’s reign when there was no formal war. From 1558-1585 the navy was involved in a number of small-scale campaigns, pursuit of pirates and occasional shows of force. The documents selected emphasize the financial and administrative processes that supported these operations, such as mustering, victualing, demobilisation, and ship maintenance and repair. The fleet varied in size from about 30 to 45 ships during the period and a vast amount of maintenance and repair was required. The main component of the volume is the massively detailed Navy Treasurer's account for 1562-3 which is followed by and collated with the corresponding Exchequer Account. The documents illustrate just how efficiently the dockyards functioned. They were one of the great early Elizabethan achievements.

Willy has four huge legs, and a body big enough for two. His ears are so big the make a storm as they flap, and he has a small tail with a ridiculous brush on the end. But all this doesn t matter, because it turns out that these are the very things that make Willy so loved and welcomed wherever he goes. This story provides a whimsical affirmation of the differences that make each person special.