Riding A Crocodile

Abraham Nevski is a dedicated and eccentric professor of medicine at the Royal Prince John Hospital. He prides himself on his diagnostic skills and powers of reasoning. On returning to work after a break he becomes aware of disturbing changes taking place in the hospital. A series of suspicious deaths then throws his world into confusion. Nevski’s inner turmoil grows and he has to confront the dangers that close in around him. Riding a Crocodile is both an insider’s account of life in a major teaching hospital and a chilling detective story, exploring life and death issues of urgent contemporary relevance.

Sally West's timely study explores Coleridge's influence on Shelley's poetic development, while engaging with the larger subject of literary influence. West argues that there is a direct correlation between Shelley's desire for political and social transformation and his appropriation, and transformation, of Coleridge language, imagery, and forms. Coleridge's influence on Shelley offers an entree into West's subtle investigation of how poets become poets.

This beginners phonics leveled activity book features a particular phonetic sound with its different spellings. The three stories in each book rhyme, and the phonetic sound being taught is underlined. The Crocodile Ride features the long vowel sounds: i-e

Ernest's crocodile does not bite! It's very well trained. But when Ernest brings the crocodile to the school's pet show, his rival Cindy Lou gets very rude.Cindy Lou is sure her poodle Fifi will win best in show. She doesn't think Ernest's croc should be allowed to compete. But Ernest and his friend have some tricks prepared. They're going to prove that when a crocodile's not busy biting, it can really put on a show!

A million years from now, the galaxy is divided between the vast, cooperative meta-civilisation known as the Amalgam, and the silent occupiers of the galactic core known as the Aloof. The Aloof have long rejected all attempts by the Amalgam to enter their territory, but have permitted travellers to take a perilous ride as unencrypted data in their communications network, providing a short-cut across the galaxy's central bulge. When Rakesh encounters a traveller, Lahl, who claims she was woken by the Aloof on such a journey and shown a meteor full of traces of DNA, he accepts her challenge to try to find the uncharted world deep in the Aloof's territory from which the meteor originated. Roi and Zak live inside the Splinter, a world of rock that swims in a sea of light they call the Incandescence. Living on the margins of a rigidly organised society, they seek to decipher the subtle clues that can reveal the true nature of the Splinter. In fact, the Splinter is orbiting a black hole, which is about to capture a neighbouring star, wreaking havoc. As the signs of danger grow, Roi, Zak, and a growing band of recruits struggle to understand and take control of their fate. Meanwhile, Rakesh is gradually uncovering their remote history, and his search for the lost DNA world ultimately leads him to a civilisation trapped in cultural stagnation, and startling revelations about the true nature and motives of the Aloof.

Romantic Englishness investigates how narratives of localised selfhood in English Romantic writing are produced in relation to national and transnational formations. This book focuses on autobiographical texts by authors such as John Clare, Samuel Taylor Coleridge, William Hazlitt, Charles Lamb, and William Wordsworth.

Fully illustrated in color, a fascinating exploration of the one hundred animals that have had the most profound influence on humanity throughout the ages. We are not alone. We are not alone on the planet. We are not alone in the countryside. We are not alone in cities. We are not alone in our homes. We are humans and we love the idea of our uniqueness. But the fact is that we humans are as much members of the animal kingdom as the cats and dogs we surround ourselves with, the cows and the fish we eat, and the bees who pollinate so many of our food-plants. In The History of the World in 100 Animals, award-winning author Simon Barnes selects the one hundred animals who have had the greatest impact on humanity and on whom humanity has had the greatest effect. He shows how we have domesticated animals for food and for transport, and how animals powered agriculture, making civilisation possible. A species of flea came close to destroying human civilisation in Europe, while the slaughter of a species of bovines was used to create one civilisation and destroy another. He explains how pigeons made possible the biggest single breakthrough in the history of human thought. In short, he charts the close relationship between humans and animals, finding examples from around the planet that bring the story of life on earth vividly to life, with great insight and understanding. The heresy of human uniqueness has led us across the millennia along the path of destruction. This book, beautifully illustrated throughout, helps us to understand our place in the world better, so that we might do a better job of looking after it. That might save the polar bears, the modern emblem of impending loss and destruction. It might even save ourselves.