Riding The Yellow Trolley Car

The collected nonfiction of the Pulitzer Prize–winning author of Ironweed: “A great pleasure to read no matter what the subject” (Library Journal). When William Kennedy arrives in Barcelona, his guidebook recommends taking the trolley around town—but the trolleys haven’t run in the city for years. He’s on his way to interview the novelist Gabriel García Márquez when, out of the corner of his eye, he sees something impossible: a yellow trolley running down the street. Márquez, however, is not surprised; like all great writers of both fiction and nonfiction, he knows that impossible things happen every day. A remarkable collection from one of America’s greatest authors, Riding the Yellow Trolley Car features work from all stages of Kennedy’s career. Through each piece runs the thread that ties together his greatest works: a love and deep understanding of his hometown, the city of Albany, New York, and the good and evil men who have made it what it is. Featuring interviews and essays on some of the most prominent authors of the twentieth century, from Saul Bellow and E. L. Doctorow to Norman Mailer and the legendary García Márquez—as well as insightful reflections on topics from baseball to the death of a prominent cat to Kennedy’s wife’s hiccups—Riding the Yellow Trolley Car is an essential book for all those who love to read, or live to write.

A favorite of library and community reading groups, William Kennedy is best known for his novels Ironweed and his most recent, The Flaming Corsage. This eminently readable book provides a helpful introduction to students and others interested in his work. With engaging candor, Michael Patrick Gillespie provides a keen analysis of Kennedy's best-known works, a firm base for interpretation, and a better understanding of the cultural world that shapes the characters and informs the plots of Kennedy's novels. Rather than prescribing what one should see when reading Kennedy's works, the book moves to the next stage of exploring diverse responses to Kennedy's canon, broadening the reader's awareness of the range of alternative strategies and perspective. Gillespie begins with an introduction that outlines the imaginative context for Kennedy's work. Subsequent chapters, in three parts, provide extended treatments of his early work, key elements in the first three Albany novels, and finally the maturity of his overall fiction, including his new play, Grand View.

In the Moon Dans La Lune A memoir of a 1930s childhood in France ABOUT THIS BOOK In the Moon takes you on a vivid and entertaining journey of a boys life in France, of his personal growth, daydreams and enthusiasms. Told mostly in the voice of the growing boy, In the Moon recounts, often with much humor, the many situations and unusual characters in Alains exotic life. Alain is the son of a strong-willed, proactive Belgian mother and a brilliant, tough-minded and emotionally laconic British father, but he is also heavily influenced by a surrogate father, Raimond, their French butler and gardener. Alain has to shape his identity and choices amidst the clashing influences of a class-ridden and multinational milieu. Adding to the tension, he attends six schools over a period of six years. Some of these schools are French, where he faces a harsh and cruel environment, but where learning is nevertheless effective and thorough. In two English-speaking schools, life is more pleasant and has its rewards, but the learning process is subtler and less obvious. Alain spends several summers in a wealthy resort community, followed by three summers in a rural farming community where he learns firsthand about the primitive pleasures and hardships of French peasant life. In each situation, the author provides a richly detailed and lively description of these diverse aspects of the periods life and culture. Included in the telling are many episodes in which his parents own colorful and unconventional life feature prominently. Throughout his memoirs, Holmes tells the story with eccentric charm, sometimes poetic detail, and often with abundant humor and humility. Some readers have likened this absorbing biographical work to Marcel Pagnols La gloire de mon pre, the memoir of the French novelist, playwright, and filmmaker. As in Pagnols book and the 1990 movie based on it, In the Moon is about the adventures, discoveries, and hard-earned lessons of a young life. In the Moon is a light, highly entertaining read and one to which a reader will return with pleasure.

A “wildly funny” novel of a monumentally unsuccessful newspaper strike in 1960s upstate New York from a Pulitzer Prize–winning author (People). The newspaper strike has stretched on for more than a year. When it began, the Guild boasted over 250 members. Now, they’re down to eighteen, with only three truly serious about the cause. Their leader, Bailey, is a columnist with an outsize sense of his own importance and a hatred of scabs that borders on fanaticism. Married to a roller derby queen, but smitten with one of his fellow radicals, Bailey is on a path of self-destruction that could take the entire city’s newspaper establishment down along with him. And that’s just what he has in mind. With the cape-wearing old-school Rosenthal at his side, Bailey embarks on a mad mission: hijacking the newspaper’s entire ink shipment and dumping it in the snow. But he’s hardly taken his first step when the scheme spins out of control, trapping him between armies of gypsies, scabs, and the wildest hippies New York has to offer. Set in a city closely resembling his native Albany, the fiction debut of William Kennedy is “a bawdy Celtic romp,” foreshadowing the wit and imagination that marked his literary career (Time).

In 1849, a boy saves a girl from the Hudson River in this story “of wonders and sweetness, magic and horrors [that] immerses itself in the marvelous” (The Boston Sunday Globe). A penniless Irish orphan, Daniel Quinn is among the crowds gathered at the Hudson River in Albany to watch a legendary dancer aboard the ferry. But when the boat strikes the ice that chokes the water on this wintry day, awe turns to terror. Though the dancer’s life is lost, Daniel risks his neck and rescues her niece, Maud Fallon. But just as he’s falling in love with the beautiful, passionate girl, she’s snatched away from him. As the years pass and Daniel continues his quest for the beguiling Maud, he will witness the rise and fall of great dynasties in upstate New York, epochal prize fights, the exotic world of the theater, visitations from spirits beyond the grave, horrific battles between Irish immigrants and the Know-Nothings, the New York draft riots, the perils of the Underground Railroad, and the bloody despair of the Civil War. Rich with nineteenth-century history and filled with flourishes of humor and magical realism, this is an “engrossing and eerily profound” novel (Time) from an author who, in the words of Stephen King, “writes with verve and nerve [and] paints a full and lively canvas.” In the tradition of E. L. Doctorow’s Billy Bathgate or Mark Helprin’s Winter’s Tale, it is a remarkable saga from the Pulitzer Prize–winning author of Ironweed.

From a Pulitzer Prize–winning author: “An immensely gratifying novel” of an Irish-American clan whose exploits changed Albany forever (The Boston Globe). When it was built, the Phelan mansion was the only home on the block. In the decades since, countless tragedies have swept through its rambling halls, but no matter how many times its foundations have been rocked, the old house still stands. Now, in 1958, its sole occupants are the eccentric old painter Peter Phelan and his illegitimate son, Orson, who sees all—but says nothing. When Peter invites his remaining family to hear him read his will aloud, it forces the Phelan clan to reckon with the most powerful force in Albany: their own tortured history. Unveiling a series of portraits inspired by family tragedy, Peter takes the Phelans back into the past, as far as 1887, forcing them to come face-to-face with the origins of the family curse. As the raucous narrative unfolds, Orson does his best to grapple with his roots, and the knowledge that the sins of the past can never truly be washed away. William Kennedy’s eight-book Albany Cycle is one of the most ambitious projects in modern historical fiction, a kaleidoscopic portrait of a city whose heroes are its corrupt politicians, conmen, and thieves. The Phelans are one of the roughest families in American literature, and also one of the greatest, who “can claim a place beside O’Neill’s Tyrones and Steinbeck’s Joads” (Library Journal).

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

This long-awaited biography provides a fascinating and comprehensive picture of García Márquez's life up to the publication of his classic 100 Years of Solitude. Based on nearly a decade of research, this biographical study sheds new light on the life and works of the Nobel Laureate, father of magical realism, and bestselling author in the history of the Spanish language. As García Márquez's impact endures on well into his ninth decade, Stavans's keen insights constitute the definitive re-appraisal of the literary giant's life and corpus. The later part of his life will be covered in a second book.