Ritual And Mythology Of The Chinese Triads

The extensive ritual and mythological lore of the Chinese Triads form the scope of this new paperback title in Brill’s Scholars’ List. The author critically evaluates the extant sources and offers a wealth of contextual information. The core of the book is formed by a close reading of the initiation ritual, including the burning of incense, the altar, the enactment of a journey of life and death, and the blood covenant. Different narrative structures are also presented. These include the messianic demonological paradigm, political legitimation, and the foundation of myth. Triad lore is placed in its own religious and cultural context, allowing radically new conclusions about its origins, meanings and functions. This book is of special interest to social historians, anthropologists, and students of Chinese religious culture.

The extensive ritual and mythological lore of the Chinese Triads form the scope of this new paperback in Brill’s Scholar’s List. In it the reader will find a critical evaluation of the extant sources together with a true wealth of context. The core of the book is formed by a close reading of the initiation ritual, including the burning of incense, the altar, the enactment of a journey of life and death, and the blood covenant. Different narrative structures are also presented. These include the messianic demonological paradigm, political legitimation, and the foundation of myth. Triad lore is placed in its own religious and cultural context, allowing radically new conclusions about its origins, meanings and functions. This book is of special interest to social historians, anthropologists, and students of Chinese religious culture.

This meticulously researched and eminently readable study considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the 21st century have spread throughout the world.

Rats, Cats, Rogues, and Heroes reveals China's history and culture through the eyes of ordinary men and women using an interdisciplinary perspective that incorporates history, anthropology, folk studies, and literature to examine the sociocultural and symbolic worlds of gangsters, sorcerers, and prostitutes in late imperial and modern China.

China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media. Our understanding of China’s history has also been evolving. The study of history in the People’s Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed. The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora. In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.

The Tiandihui, also known as the Heaven and Earth Association or the Triads, was one of the earliest, largest, and most enduring of the Chinese secret societies that have played crucial roles at decisive junctures in modern Chinese history. These organizations were characterized by ceremonial rituals, often in the form of blood oaths, that brought people together for a common goal. Some were organized for clandestine, criminal, or even seditious purposes by people alienated from or at the margins of society. Others were organized for mutual protection or the administration of local activities by law-abiding members of a given community. The common perception in the twentieth century, both in China and in the West, was that the Tiandihui was founded by Chinese patriots in the seventeenth century for the purpose of overthrowing the Qing (Manchu) dynasty and restoring the Ming (Chinese). This view was put forward by Sun Yat-sen and other revolutionaries who claimed that, like the anti-Manchu founders of the Tiandihui, their goal was to strip the Manchus of their throne. The Chinese Nationalists (Guomindang) today claim the Tiandihui as part of their heritage. This book relates a very different history of the origins of the Tiandihui. Using Qing dynasty archives that were made available in both Beijing and Taipei during the last decades, the author shows that the Tiandihui was founded not as a political movement but as a mutual aid brotherhood in 1761, a century after the date given by traditional historiography. She contends that histories depicting Ming loyalism as the raison d'etre of the Tiandihui are based on internally generated sources and, in part, on the "Xi Lu Legend," a creation myth that tells of monks from the Shaolin Monastery aiding the emperor in fighting the Xi Lu barbarians. Because of its importance to the theories of Ming loyalist scholars and its impact on Tiandihui historiography as a whole, the author thoroughly investigates the legend, revealing it to be the product of later - not founding - generations of Tiandihui members and a tale with an evolution of its own. The seven extant versions of the legend itself appear in English translation as an appendix. This book thus accomplishes three things: it reviews and analyzes the extensive Tiandihui literature; it makes available to Western scholars information from archival materials heretofore seen only by a few Chinese specialists; and it firmly establishes an authoritative chronology of the Tiandihui's early history.

Ten international academics explore heterodoxy dissent challenging the beliefs and meanings of the established norm in late Imperial China. In this process, they trace the origins of the cultural and intellectual protests to aspects of Daoism and Buddhism in the Ming (1368-1644) and Qing (1644-1911)

Demon warrior puppets, sword-wielding Taoist priests, spirit mediums lacerating their bodies with spikes and blades—these are among the most dramatic images in Chinese religion. Usually linked to the propitiation of plague gods and the worship of popular military deities, such ritual practices have an obvious but previously unexamined kinship with the traditional Chinese martial arts. The long and durable history of martial arts iconography and ritual in Chinese religion suggests something far deeper than mere historical coincidence. Avron Boretz argues that martial arts gestures and movements are so deeply embedded in the ritual repertoire in part because they iconify masculine qualities of violence, aggressivity, and physical prowess, the implicit core of Chinese patriliny and patriarchy. At the same time, for actors and audience alike, martial arts gestures evoke the mythos of the jianghu, a shadowy, often violent realm of vagabonds, outlaws, and masters of martial and magic arts. Through the direct bodily practice of martial arts movement and creative rendering of jianghu narratives, martial ritual practitioners are able to identify and represent themselves, however briefly and incompletely, as men of prowess, a reward otherwise denied those confined to the lower limits of this deeply patriarchal society. Based on fieldwork in China and Taiwan spanning nearly two decades, Gods, Ghosts, and Gangsters offers a thorough and original account of violent ritual and ritual violence in Chinese religion and society. Close-up, sensitive portrayals and the voices of ritual actors themselves—mostly working-class men, many of them members of sworn brotherhoods and gangs—convincingly link martial ritual practice to the lives and desires of men on the margins of Chinese society. This work is a significant contribution to the study of Chinese ritual and religion, the history and sociology of Chinese underworld, the history and anthropology of the martial arts, and the anthropology of masculinity.