Rituals In Ink

In order to reconstruct ancient rituals we must rely on ancient texts. That is the premise of these eight papers which are taken from a conference held at Stanford University in 2002 which brought together scholars of Roman religion and scholars of Roman literature to debate the `textuality of ritual'. The papers are followed by six brief essays which discuss the themes of the and consider the problems of retrieving ritual from texts written by such complex authors as Virgil, Ovid and Livy. The essays themselves focus on: the theme of sacrificial ritual in Roman poetry; religious communication in Rome; professional poets and the 2nd-century BC temple of Hercules of the muses; Livy; the Aeneid ; Ovid's use of hymns in the Metamorphoses ; Ovid's depiction of a triumph in Tristia ; the secret name of Rome. The numerous extracts are presented in Latin verse and English prose translation.

The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

The sacrificial instructions and purity laws in Leviticus have often been seen as later or secondary additions to an originally sparse Priestly narrative. In this volume, Liane M. Feldman argues that the ritual and narrative elements of the Pentateuchal Priestly source are mutually dependent, and that the internal logic and structure of the Priestly narrative makes sense only when they are read together. Bringing together insights from the fields of ritual theory and narratology, the author argues that the ritual materials in Leviticus should be understood and analyzed as literature. At the core of her study is the assertion that these sacrificial instructions and purity laws form the backbone of the Priestly story world, and that when these materials are read within their broader narrative context, the Priestly narrative is first and foremost a story about the origins and purpose of sacrifice.

Revision of author's thesis (Ph. D.)--McGill University, 2014 under title: My flesh is meat indeed: theophagy and christology in John 6:51c-58.

Would you like to craft your own Book of Shadows? Write a story? Create Pagan rituals or Wiccan spells for special occasions? And ultimately infuse your writing with added beauty, style, and power? Get your creativity flowing as you step into a boundless world where magick comes alive through the written word. Clear, step-by-step instructions will guide you through each phase of creating beautiful and powerful magickal works. Drumming up ideas Keeping a magickal journal Freewriting Choosing a composition form Revising drafts to a refined polish This book on magickal writing offers an array of exercises, tips and terms, and writing samples to help you craft stories, devotional poems, spells, chants, prayers, blessings, meditations, and rituals. By mastering the techniques in this book, your every word will crackle with energy, vibrancy, and true power. Praise: "With the help of this book, your writing and magickal skills will expand and grow...You will be a true magickal writer." --Richard Webster, award-winning author of Write Your Own Magic

New research that transforms how to understand food and eating in literature Meredith J. C. Warren identifies and defines a new genre in ancient texts that she terms hierophagy, a specific type of transformational eating where otherworldly things are consumed. Multiple ancient Mediterranean, Jewish, and Christian texts represent the ramifications of consuming otherworldly food, ramifications that were understood across religious boundaries. Reading ancient texts through the lens of hierophagy helps scholars and students interpret difficult passages in Joseph and Aseneth, 4 Ezra, Revelation 10, and the Persephone myths, among others. Features: Exploration of how ancient literature relies on bending, challenging, inverting, and parodying cultural norms in order to make meaning out of genres Analysis of hierophagy as social action that articulates how patterns of communication across texts and cultures emerge and diverge A new understanding of previously confounding scenes of literary eating

An analysis of the literary and dramatic function of ritual within the world of Sophocles' plays, for scholars of Greek tragedy, ancient theater, and poetics.

Pen and Ink Witchcraft provides a comprehensive survey of Indian treaty relations in America and traces the stories and the individuals behind key treaties that represent distinct phases in the shifting history of treaty making and the transfer of Indian homelands into American real estate.