Rockin On The Rock

Mt. Erie is part of the 2800 Anacortes (Washington) Community Forest Lands. The south-facing mountain is the rain shadow of the Olympic Mountains clibable year-round with scenic views of the San Juan Islands.This new, all color guidebook includes over 400 routes. Aerial photos, contour maps, and GPS waypoints get you to where you want to go quickly and efficiently. Color-coded topos and detailed route descriptions let you know what gear and beta you'll need for each climb.First ascent stories and a tribute to Dallas Kloke will enhance your visit with an understanding of the local climbing history and culture of this unique area.

The music world exploded into Technicolor on February 9, 1964, when the Beatles appeared on the Ed Sullivan Show and ignited the music phenomenon dubbed “The British Invasion”. In the weeks and months to come, hundreds, perhaps thousands, of Ottawa teenagers put away their hockey sticks and picked up guitars, starting up bands in basements and garages, with visions of screaming girls and stardom dancing in their heads. For some, that dream came true, in packed High School Gymnasiums, Church basements, bowling alleys and every other venue they could find. Groups were working three or four nights a week on both sides of the Ottawa River. The Esquires, The Staccatos, The Townsmen, Don Norman and the Other Four and many others cut records that were as good as anything coming out of Britain or the States. DJ's Gord Atkinson, Nelson Davis and Al "Pussycat" Pascal make them stars by playing their records. Sandy Gardiner followed their exploits in his weekly "teen" column in the Ottawa Journal, and we checked out the weekly "Swing Set" to get the lowdown on the newest groups. From the day Elvis Presley came to town in 1957, to the release of The Five Man Electrical Band’s mega-hit “Signs”, we relive those memories with the bands, the clubs, the concerts and the colorful cast of characters who made it happen. Pull back the curtain on the magic of "Ottawa’s Golden Age of Rock and Roll”,

In Rockin' the Free World, international relations expert Sean Kay takes readers inside “Bob Dylan’s America” and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.

In his first book “Rockin’ on the Rideau: Ottawa’s Golden Age of Rock and Roll”, veteran Ottawa broadcaster and musicologist Jim Hurcomb pulled back the curtain on the first 15 years of Rock and Roll in Ottawa, from 1955-1970. That fascinating story continues in “Rockin’ on the Rideau 2: The 70’s”. It was the decade when Ottawa welcomed some of the biggest bands in the world to town, including Led Zeppelin, Genesis, Queen, Kiss, David Bowie and many, many others. Rock FM radio arrived in Ottawa, and Geoff Winter, Brian Murphy, Shelly Hartman and Delmer and Cecil on CHEZ 106 became household names. We lined up to get into Barrymore’s and the Black Swan, and travelled across the river to enjoy Red Hot and Larkspur at The Ottawa House or the legendary Chaud, run by the mighty Gerry Barber. Midnight showings of the Rocky Horror Picture Show at the Towne Cinema were wild, boisterous parties, and Punk Rock burst on the scene when The Rotter’s Club opened on Bank Street. And, of course, we had the great local bands: Octavian, The Cooper Brothers, Heaven’s Radio, Avalon, The Action, Tokyo Rose and Bolt Upright and the Erections, to name a few. Relive the best days and nights of your lives, with “Rockin’ On The Rideau 2: The 70’s".

Employing the feminist insight that gender is a constantly shifting performance & not an essential quality related to sex, Schippers explores the gender roles, transgressions & assumptions of the men & women involved in the hard rock scene.

A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.

Note: If you are purchasing an electronic version, MySearchLab does not come automatically packaged with it. To purchase MySearchLab, please visit www.mysearchlab.com or you can purchase a package of the physical text and MySearchLab by searching for ISBN 10: 020596480X / ISBN 13: 9780205964802. David Szatmary and Lynsay Ripley's Rockin' in Time: A Social History of Rock-and-Roll, First Canadian Edition explores the history of rock music within broad social and cultural settings, and its impact on society, with an emphasis on Canada. The text highlights the role that specific Canadian artists, songs, venues and issues have played in the social history of rock-and-roll within and beyond Canada's borders. Among the many Canadian artists discussed in this context are Ronnie Hawkins, The Guess Who, Ashley MacIsaac and Broken Social Scene.

"In this absolutely unprecedented and beautifully produced coffee-table volume, best-selling music writer Paul Grushkin draws on top museum collections and private archives, renowned photographers, lauded poster artists, and record labels to illustrate the remarkable 70-year synergy between music and motoring. The narrative comprises scores of first-person interviews with prominent figures and explores common themes that have been addressed in vehicle-related songs - as symbols of freedom, vehicles as status symbols, as courting tools, as utilitarian work conveyances, as metaphors (when Reverend Horton Heat sings about his "Big Red Rocket of Love," he's not just talking about his shoebox Ford), and vehicles simply as vehicles. Illustrated with images of musicians, bands, vehicles, album and poster art, and collectibles, the book draws direct lineages juxtaposing artists that may have previously seemed disparate. Also included are music's car-related lore and tragedies, like Gene Vincent's motorcycle accident that spurred his spiral into alcoholism; Hank Williams' death in the backseat of his Cadillac; the death of So-Cal punk icon D. Boon in a tour-van accident; and Neil Young connecting with Stephen Stills in L.A. because the latter saw the former's Ontario plates in a traffic jam. In the end, Wheels is the expansive sort of book that everyone from the most casual music fan to the most hardcore musicologist will find difficult to put down."--Provided by the publisher.