Rococo To Revolution

Michael Levey, former Director of the National Gallery in London, traces the major trends of European painting in the eighteenth century, taking as his theme the exciting evolution--and revolution--that took place in art from Watteau's birth to the death of Goya. 154 illus., 22 in color.

This official publication of the Lessing Society, is a source of information on German culture, literature and thought in the 18th century.

This Volume contains papers presented at a symposium organized by the Center for Austrian Studies and held at the University of Minnesota in May 1989. Scholars from Austria, England, Canada, and the United States, specializing in Austrian history, music, art, and literature met to discuss a number of common topics and themes form a variety of perspectives relating to Austria in the age of the French Revolution. The symposium was remarkable for the congeniality of the participants and the easy and fruitful way in which they exchanged ideas and blended their approaches ind insights. The development of Austrian diplomacy, warfare, society, and culture in the period, and the impact of the French Enlightenment and Revolution on Austrian art, literature, music, drama, and journalism are explored in the essays that appear in this study.

Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.

This is the second volume of Friedell's monumental A Cultural History of the Modern Age. A key figure in the flowering of Viennese culture between the two world wars, this three volume work is considered his masterpiece. The centuries covered in this second volume mark the victory of the scientifi c mind: in nature-research, language-research, politics, economics, war, even morality, poetry, and religion. All systems of thought produced in this century, either begin with the scientifi c outlook as their foundation or regard it as their highest and fi nal goal. Friedell claims three main streams pervade the eighteenth century: Enlightenment, Revolution, and Classicism. In ordinary use, by "Enlightenment" we mean an extreme rationalistic tendency of which preliminary stages were noted in the seventeenth century. Th e term "Classicism", is well understood. Under the term "Revolution" Friedell includes all movements directed against what has been dominant and traditional. Th e aims of such movements were remodeling the state and society, banning all esthetic canons, and dethronement of reason by sentiment, all in the name of the "Return to Nature." Th e Enlightenment tendency might be seen as laying the ground for an age of revolution. Th is second volume continues Friedell's dramatic history of the driving forces of the twentieth century.