Roman Poetry Propaganda In The Age Of Augustus

"The political aspects of Augustan poetry have attracted much academic interest. The aim of this study is to take account of the effects of Augustan propaganda not only on the work of contemporary Roman writers, but also on the critical tradition itself. The six essays presented in this volume explore the political themes in the work of major poets such as Virgil, Ovid, Horace and Propertius. Using traditional as well as post-structuralist approaches, the essays examine the controversies of the Civil Wars, the emerging issues of treason and free speech and changing representations of Cleopatra and female power."--Bloomsbury Publishing.

Captures the dynamics and richness of this era by examining important aspects of the period.

The political aspects of Augustan poetry have attracted much academic interest. The aim of this study is to take account of the effects of Augustan propaganda not only on the work of contemporary Roman writers, but also on the critical tradition itself. The six essays presented in this volume explore the political themes in the work of major poets such as Virgil, Ovid, Horace and Propertius. Using traditional as well as post-structuralist approaches, the essays examine the controversies of the Civil Wars, the emerging issues of treason and free speech and changing representations of Cleopatra and female power.

The eighteenth century in English literature has been called the Augustan Age the Neoclassical Age, and the Age of Reason. The term 'the Augustan Age' comes from the self-conscious imitation of the original Augustan writers, Virgil and Horace, by many of the writers of the period. Specifically, the Augustan Age was the period after the Restoration era to the death of Alexander Pope (~1690 - 1744). The major writers of the age were Pope and John Dryden in poetry, and Jonathan Swift and Joseph Addison in prose. Dryden forms the link between Restoration and Augustan literature; although he wrote ribald comedies in the Restoration vein, his verse satires were highly admired by the generation of poets who followed him, and his writings on literature were very much in a neoclassical spirit. I particularly aimed at interpretation of sociopolitical milieu of Augustan Age, of social change, of literary tendencies of the age, and of prose, novel, poetry and drama of the Augustan Age.

The political allegiances of major Roman poets have been notoriously difficult to pin down, in part because they often shift the onus of political interpretation from themselves to their readers. By the same token, it is often difficult to assess their authorial powerplays in the etymologies, puns, anagrams, telestichs, and acronyms that feature prominently in their poetry. It is the premise of this volume that the contexts of composition, performance, and reception play a critical role in constructing poetic voices as either politically favorable or dissenting, and however much the individual scholars in this volume disagree among themselves, their readings try to do justice collectively to poetry’s power to shape political realities. The book is aimed not only at scholars of Roman poetry, politics, and philosophy, but also at those working in later literary and political traditions influenced by Rome's greatest poets.