Romance Of The Feudal Chateaux Classic Reprint

Excerpt from Romance of the Feudal Chateaux It is to Brittany, in greater part, that we owe the Arthurian legends, for Geoffrey of Mon mouth asserts that he found his material there. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Romance of the Bourbon Chateaux While the neighbourhood of Paris is the locality chosen for the erection of the Chateaux constructed in their entirety (or, as the French express it, at one jet, like the upspringing of a fountain) during the reigns of the Bourbon sovereigns, many of the provincial Chateaux show some touch of remodelling executed at this period. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Elizabeth "Lizzie" Williams Champney (February 6, 1850 - October 13, 1922) was an American writer of numerous articles and novels, most of which featured foreign locations. Her novels were originally directed mainly at young girls, including the "Witch Winnie" series and the "Vassar Girls Abroad" series, but she later wrote romantic semi-fictional fables of castles, such as The Romance of the Feudal Ch�teaux (1899). She was the wife of artist James Wells Champney.Champney was born Elizabeth Johnson Williams in Springfield, Ohio, on February 6, 1850. Her parents, who were abolitionists, moved the family to Kansas Territory in her youth, to join the fight against the spread of slavery to Kansas.After the Civil War, she attended the Seminary for Young Ladies in Lexington, Massachusetts, where the artist James Wells Champney was her drawing instructor.She completed her education at Vassar College, where she received her A.B. in 1869, a member of the second class of Vassar graduates.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.