Romantic Capabilities

Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities.

Studying works by William Blake, Walter Scott, and Jane Austen, this volume examines the extent to which Romantic literary works can be said to prefigure the ways in which readers will engage with them after the time of their creation.

This is a book for people energized by the possibilities of modern intimacy, but who feel unsure about their own romantic lives. Alternative lifestyles such as nonmonogamy, while liberating in theory, can feel remote in practice, as we are fixed in place by insecurities and social pressures. In Romantic Agency, philosopher Luke Brunning encourages readers to think more deeply about what it means for relationships to not only work, but flourish. Guided by the thought that our abilities to be intimate cannot be taken for granted, he argues that our romantic agency is fragile and best cultivated alongside other people. Together we can become more realistic, balance playfulness with integrity, and value each other’s flourishing. Anyone can benefit from this exploration of intimate life, regardless of their relationship status or romantic ideals. Compelling and timely, Romantic Agency is a groundbreaking account of love and relationships.