Romantic Oil Painting Made Easy

Regardless of previous experience, readers are instructed in the ways to create sensitive, impressionistic paintings almost immediately, by using Hagan's placement theory and simple colour system. The book offers eight demonstrations and advice on pulling elements together from references.

Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.

Starting from the premise that we all want to make marks to record the world around us, this book aims to give basic guidelines that will help anyone to express themselves through different media but especially watercolours, oils and pastels. Professional artist Mike Chaplin demonstrates that anyone can paint if they are taught the necessary techniques in a simple and structured way. The book features: • Essential skills and techniques presented in an accessible way • Structured tuition, beginning with basic markmaking and how to make the transition from drawing to simple watercolours • Stand-alone sections on watercolours, oils and pastels incorporating guidance in the processes that are fundamental to each medium • Projects to inspire and encourage

Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

Painting is about responding to the world around you, engaging with light and form, feeling the moment as well as placing lines of colour on a canvas; it can be fun, relaxing and rewarding. How to Paint Made Easy is packed with case studies and examples, will show you how to think about your subject, what materials to use, how to layer paint and construct a great piece of art, in watercolours, oils, acrylics or digitally on a computer. With inspirational contemporary artwork, tips and advice from real artists, traditional and digital techniques and a wide range of genres, this book will show you many different ways of painting, with a variety of methods and materials you can try, to see which works best for you.

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "Seeing comes before words. The child looks and recognizes before it can speak." "But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled." John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has.