Romantic Style

If you love elegant furniture and soft colors, and you’d rather fill your home with flowers and candlelight than cutting-edge technology, then you’ll adore Romantic Style. In this beguiling book, stylist Selina Lake and interiors writer Sara Norrman show you real homes, beautifully decorated with an eye for the elegant. Warm whites and creams, vintage furniture, lace and embroidery, dainty glassware and decorative china all feature, and while you will find ornate mirrors and antique French armchairs, less is very often more. Romantic Style can be restrained, with just a couple of pieces taking centre stage against a neutral backdrop. This makes it a surprisingly easy look to reproduce. Once you have a feel for the chief components of the style, you can roll it out in any room, adapting it with your own treasured pieces and favorite colors. The book begins by exploring Romantic Inspirations—Vintage Romantic, Simple Romantic, Elegant Romantic and Modern Romantic—four very different facets of the romantic look. Next, Romantic Styling outlines the key ingredients of any romantic scheme, with advice about colors, flowers and fabrics as well as displaying your treasures and lighting. The third section, Romantic Rooms, takes a room-by-room tour of the home, with explanations of how to recreate such a scheme yourself. Romantic Style isn’t a look dictated by passing trends or the latest styles or materials. At its heart lies a desire to create elegant and peaceful interiors that function well, but also uplift and comfort us. Using a mix of contemporary, antique, and flea-market finds, Romantic Style gives any home an serene and gently feminine feel.

Originally published: West Yorkshire: Rowan Yarns, 2006.

NEW YORK TIMES BESTSELLER • “The guardian of all style” (The New York Times Magazine) shares stories on life, love, style, and career, from Paris to New York, and inspires readers to cultivate an effortless chic that is all their own. Garance Doré, the voice and vision behind her eponymous blog, has captivated millions of readers worldwide with her fresh and appealing approach to style through storytelling. This gorgeously illustrated book takes readers on a unique narrative journey that blends Garance’s inimitable photography and illustrations with the candid, hard-won wisdom drawn from her life and her travels. Infused with her Left Bank sensibility, the eclecticism of her adopted city of New York, and the wild, passionate spirit of her native Corsica, Love Style Life is a backstage pass behind fashion’s frontlines, peppered with French-girl-next-door wit and advice on everything from mixing J.Crew with Chanel, to falling in love, to pursuing a life and career that is the perfect reflection of you. Praise for Garance Doré and Love Style Life “The most elegant, funny, truthful book on style, love and life. Garance is an original with the cutest French accent.”—Jenna Lyons, president and creative director, J.Crew “This charming book by fashion blogger Doré is part memoir and part style guide, gathered together in a chic, Gallic-inflected package.”—Publishers Weekly “One of blogdom’s most compelling storytellers.”—The New York Times “Doré’s mix of portrait photography, illustrations, collages, and stream-of-consciousness writing . . . has given the fashion world en masse a girl crush.”—Interview “Garance Doré embodies effortless French style.”—Martha Stewart Living

Lovely homes, pretty rooms, gentle settings.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.