Romero S Legacy

Pilar Hogan Closkey and John Hogan have brought together the annual Archbishop Oscar Romero Lectures (2001-2007) to consider the life and death of Archbishop Romero and the daily struggles of the poor in our world, especially in the city of Camden, New Jersey-one of America's poorest cities. Romero's 'dangerous memory' provides the background, while urban poverty and the option for the poor are the foreground. Romero's commitment to the poor compels us to look at ourselves, and the authors of each chapter remind us of Romero's dangerous memory and his undying hope in the promised future. Taken as a whole, the book reminds us of the tough questions behind the real meaning of the 'option for the poor.' Can we as a faith community and institution move beyond high-sounding slogans and really opt for the poor? What are the costs? What are the risks? Especially in these difficult times of war, terrorism, and scandal, can we in the Church rebuild trust and be a sign of a future of justice and peace announced by Jesus?

In 1968, George Romero's film Night of the Living Dead premiered, launching a growing preoccupation with zombies within mass and literary fiction, film, television, and video games. Romero's creativity and enduring influence make him a worthy object of inquiry in his own right, and his long career helps us take stock of the shifting interest in zombies since the 1960s. Examining his work promotes a better understanding of the current state of the zombie and where it is going amidst the political and social turmoil of the twenty-first century. These new essays document, interpret, and explain the meaning of the still-budding Romero legacy, drawing cross-disciplinary perspectives from such fields as literature, political science, philosophy, and comparative film studies. Essays consider some of the sources of Romero's inspiration (including comics, science fiction, and Westerns), chart his influence as a storyteller and a social critic, and consider the legacy he leaves for viewers, artists, and those studying the living dead.

Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.

"A tale told well that provides valuable insights into the motives and modus operandi of the death squads in El Salvador, and of the financiers who commissioned and facilitated such crimes. It also highlights the difficulties that face those who pursue such cases many years after the crimes have taken place."—New York Review of Books On March 24, 1980, the assassination of El Salvador’s Archbishop Óscar Romero rocked that nation and the world. Despite the efforts of many in El Salvador and beyond, those responsible for Romero’s murder remained unpunished for their heinous crime. Assassination of a Saint is the thrilling story of an international team of lawyers, private investigators, and human-rights experts that fought to bring justice for the slain hero. Matt Eisenbrandt, a lawyer who was part of the investigative team, recounts in this gripping narrative how he and his colleagues interviewed eyewitnesses and former members of death squads while searching for evidence on those who financed them. As investigators worked toward the only court verdict ever reached for the murder of the martyred archbishop, they uncovered information with profound implications for El Salvador and the United States.

A profound reflection on the theological implications of Romero's life and ministry, drawn from his biography as well as his homilies and other writings.

Sangre llama a sangre. (Blood cries out to blood.)—Latin American aphorism The common "blood" of a people—that imperceptible flow that binds neighbor to neighbor and generation to generation—derives much of its strength from cultural memory. Cultural memories are those transformative historical experiences that define a culture, even as time passes and it adapts to new influences. For oppressed peoples, cultural memory engenders the spirit of resistance; not surprisingly, some of its most powerful incarnations are rooted in religion. In this interdisciplinary examination, Jeanette Rodriguez and Ted Fortier explore how four such forms of cultural memory have preserved the spirit of a particular people. Cultural Memory is not a comparative work, but it is a multicultural one, with four distinct case studies: the image of Our Lady of Guadalupe and the devotion it inspires among Mexican Americans; the role of secrecy and ceremony among the Yaqui Indians of Arizona; the evolving narrative of Archbishop Oscar Romero of San Salvador as transmitted through the church of the poor and the martyrs; and the syncretism of Catholic Tzeltal Mayans of Chiapas, Mexico. In each case, the authors' religious credentials eased the resistance encountered by social scientists and other researchers. The result is a landmark work in cultural studies, a conversation between a liberation theologian and a cultural anthropologist on the religious nature of cultural memory and the power it brings to those who wield it.

Essays by a modern Jesuit martyr challenge the way that theology should be done and the gospel should be lived. Ignacio Ellacur a, a Spanish Jesuit theologian, philosopher, and rector of the University of Central America in San Salvador, was one of the key intellectual authors of liberation theology. On November 16, 1989 he and other members of the Jesuit community of the university were massacred by Salvadoran army troops. This volume offers twelve important essays by Ellacur a, at last providing English-speaking readers with a comprehensive introduction to his theological thought. Traditional topics such as Christology, ecclesiology, theological method, and spirituality are interwoven with reflections on colonialism, liberation, religion and politics, the philosophy of Xavier Zubiri, and the legacy of Archbishop Oscar Romero in a volume that not only chronicles the thought of one of the most fertile minds of the last century, but challenges the way theology should be carried out for the century to come.