Roses Will Bloom Again

When Emma returns home to Serenity following her sister's untimely death, she must confront Sam and the feelings she never fully dealt with after their broken engagement. A strange clause in her sister's will forces Emma to stay and work with Sam to restore her sister's old house. As they work side by side, the promise of love blooms again.

Frances Eastridge was raised poor near the end of the depression on a tobacco farm, with two of the most special parents anyone could have. Roses Will Bloom Again shares the true story of her life, the good times and the bad. She had only one sister, who died at the age of four from Rocky Mountain Fever caused by a tick bite. As a result, Frances grew up an only child. After she married, she and her husband, Herbert George, had three beautiful daughtersCarol, Nancy, and Lisa. Sadly, their daughters were not destined to reach adulthood; they died, one by one, of a rare blood disease. By the time Frances was thirty-four years old, she had lost all of her children. Shortly thereafter, her husband began having cardiac issues, having open heart surgery at the age of forty. The couple then went through one thing after another until he died suddenly from a massive heart attack at forty-eight. While Frances misses her family terribly, she was so proud of all they accomplished in their short lives, particularly her husband. She was amazed by her two oldest daughters, because as sick as they were, they continued to witness for the Lord wherever they went, leading many souls to Him. Frances hopes her story will be an encouragement to brokenhearted people everywhere, showing them that God is always with them.

-Scott Tucker, looks at the theme of "heaven" in six of the Gaither Homecoming songbooks - David Fillingim looks at how Southern Gospel Music answers the question of theodicy from the perspective of the rural, white, working class - Robert M. McManus explores selected song lyrics to show how Southern Gospel Music helps construct the identity of the community compared to Contemporary Christian Music - Darlene R. Graves identifies key sustaining personality strengths of women that tend to preserve consistency between their public performance and personal spiritual walk - Elizabeth E Desnoyers-Colas and Stephanie Howard (Asabi) explore Southern Gospel and Black Gospel music, through the influence of Thomas A. Dorsey - Michael Graves examines how the culture of Southern Gospel Music deals with its inevitable prodigal sons - Raymond D.S. Anderson analyzes the Gaither Homecoming videos as examples of the postmodern turn in American popular Christian culture - John D. Keeler presents the first audience study of southern Gospel Music employing a "Uses and Gratifications" research framework - Paul A. Creasman examines the ways Southern Gospel Music as a culture memorializes its dead by use of the Internet - Naaman Wood reviews significant scholarly approaches to the study of popular music.

Looking back over a period of forty-eight years, when my daughter was born, my mother came for a visit. She sat down at the dining table and read a chapter of the Bible. Afterward, she wrote a poem. I thought then, if she could write poetry, so could I. I read the Bible afterward, and God inspired me to write, especially after reading the book of Psalms. Psalms is my favorite book in the Bible. I always had a dream of writing a book and came up with the title, In my Dreams.

There’s more to life than computerized slippers and sexy ring tones. The world revolves around something greater than ourselves, and we all burn for intimacy, crave community, and struggle for eternity. This is a book about sex, sushi, and salvation—a book of snapshots—the ups and downs, the failures and fortunes. If you hunger for a raw faith that satisfies the soul, read on.