Routledge Library Editions Literature And Sexuality

This set brings together a collection of classic out-of-print works that offer some surprising new takes on the theme of sexuality in literature. Whether examining new spaces by unrepresented women writers of colour or looking afresh at gay writings of the early twentieth century, this set presents a thought-provoking take on the subject, and as such is an essential reference source.

This set brings together a collection of classic out-of-print works that offer some surprising new takes on the theme of sexuality in literature. Whether examining new spaces by unrepresented women writers of colour or looking afresh at gay writings of the early twentieth century, this set presents a thought-provoking take on the subject, and as such is an essential reference source.

The years between 1850 and 1900 were the vintage years of a discreet homosexual culture in England. In this period, educational, personal and foreign influences all contributed to the establishment of a trend expressed in the works of authors such as John Addington Symonds, Walter Pater, and A.E. Housman, and in those of lesser writers, now largely forgotten. This book, first published in 1970, is an anthology of English prose and verse, either homosexual in tone or providing a vehicle for homosexual emotions, and in several examples even overtly and experimentally frank. The book includes an introduction by Brian Reade explaining the network of friendships and associations which underlay this development and tracing some of its origins.

Originally published in 1984. The history of sex in the last 100 years has usually been written as a story of progress from repression to sexual liberation. This book argues that the reverse is true, demonstrating that the ‘sexual revolution’ came as a backlash to a women’s movement which challenged men’s sexual abuse and tried to reconstruct male sexuality in women’s interest. At first it looks at those groups at the turn of the twentieth century who campaigned to challenge prevailing ideas about sexual behaviour. It moves on to review the work of the most influential sexologists Ellis, Kinsey, Masters and Johnson, and then presents a critical analysis of the sex magazine Forum.

Reissuing seven works originally published between 1977 and 1992, this collection offers a varied selection of surveys of historical practices and attitudes to sexuality, from complete reviews of changing attitudes through time, to individual studies of France in the 19th and 20th Centuries and England in the 17th. This set will be of interest in sociology, gender studies, cultural studies and history.

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores – works of psychoanalysis, sexology, fiction, and poetry – emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.

Reissuing seminal works originally published between 1979 and 1994, Routledge Library Editions: Women, Feminism and Literature offers a selection of scholarship from a time of great change in feminist studies and literary studies. Topics cover all aspects of women's literature, gender and feminism through literary criticism and the work of women literary theorists.