Routledge Revivals

Ovid, Rome’s most cynical and worldly love poet, has not until recently been highly regarded among Latin poets. Now, however, his reputation is growing, and this volume is an important contribution to the re-establishment of Ovid’s claims to critical attention. This collection of essays ranges over a wide variety of themes and works: Ovid’s development of the Elegiac tradition handed down to him from Propertius, Catullus and Tibullus; the often disparaged and neglected Heroides; the poetry of Ovid’s miserable exile by the Black Sea; the poetic diction of the Metamorphoses, Ovid’s lengthy mythological epic which codified classical myth and legend, and has strong claims to be considered, with the exception of Virgil’s Aeneid, Rome’s greatest epic poem; humour and the blending of the didactic and elegiac traditions in the Ars Amatoria and Remedia Amoris. Finally, Ovid’s incomparable influence in the Middle Ages and sixteenth century is examined.

This volume, first published in English in 1987 makes available an important part of Weil’s early writings. Although primarily known as a religious thinker, she devoted enormous energy in her formative years to her work as a political activist and as a philosopher/teacher. This book reveals these other sides of Weil and demonstrates the lines of continuity underlying her whole thought. Written between 1929 and 1941 the book covers a crucial and transitional period in Weil’s life. Taken together they represent invaluable primary source material on the evolution of Weil’s life and on her chosen method of abstracting elements from her personal experience and transmuting that experience into considered thought. Even when highly theoretical, her writing was always concerned with the application of her intelligence to concrete problems of human existence.

First published in 1980, this book presents an important critique of prevailing political doctrine in Western societies at a time of major change in circumstances of Western civilization. G. Lowell Field and John Higley stress the importance of a more realistic appraisal of elite and mass roles in politics, arguing that political stability and any real degree of representative democracy depend fundamentally on the existence of specific kinds of elites.

First published in 1975, this book examines the career of one of the leading post-war Czech filmmakers Miloš Forman through his own testimony. After recollecting his childhood and early artistic ventures, Forman gives accounts of the making of his major films, interspersed with contemporaneous reviews by the author, and in the final chapter he sums up his ‘lessons along the way’. A section entitled ‘Stories behind the Stories’ fills in details on the events and people mentioned in Forman’s narrative. The author’s commentary provides valuable insights not only into the aesthetics of filmmaking but also the social and political environment in contemporary Czechoslovakia.

This study, first published in 1982, explores and demonstrates the ways in which an awareness of literary genre can illuminate works as diverse as Milton’s ‘Lycidas’ and Berryman’s Sonnets. The first book to offer a historical survey of genre theory, it traces the history from the Greek rhetoricians to such contemporary figures as Frye and Todorov. Particular emphasis is placed on the ways in which comments on genre reflect underlying aesthetic attitudes.

To Romans of later generations the three decades between the dictatorships of Sulla and of Caesar were the age of Pompey the Great. In spite of the central role he played in Roman history, he remains a shadowy figure compared with the likes of Caesar and Cicero. Pompey the Great, first published in 1978, traces the career of this enigmatic character from his first appearance in public life on the staff of his father Strabo during the Social War, through his early military campaigns as Sulla’s lieutenant in the Civil War 83-82, as the Senate’s general in Italy and Spain during the 70s, to his first consulship with Crassus in 70. The important commands against the pirates and Mithridates, the alliance with Caesar, its eventual collapse into civil war, and the significance of Pompey’s constitutional position for an understanding of the later Augustan settlement war are all discussed with clarity and insight.

Madame Bovary ranks among the world’s most famous and widely read novels, and has inspired numerous critical theories. First published in 1987, this study draws on both twentieth-century and traditional critical views to provide both students and scholars with a fresh analysis of the novel: its narrative techniques, social background, and underlying structures. By setting the novel in an historical context, and exploring the ways in which it offers a hinge between romanticism and realism, the book establishes a framework through which the reader can assess questions of narrative strategy, of symbolic patterning and most importantly, parody and pastiche. Throughout Madame Bovary, Rosemary Lloyd argues, a series of intertwining voices challenge assumptions about the nature of narrative and the relationship between reader and writer. This reissue will provoke and stimulate debate among students and lecturers in French and English literature, for whom Madame Bovary is a key text in the development of the novel.

First published in 1986. The free market is often associated with liberty and individualism, and this connection has been made for more centuries than is generally realised. This essays collected in this book trace the development, importance and influence of the market as a dominating component of the shared human life from classical antiquity to the present. The authors, from various backgrounds, keep constantly in view the moral and political questions raised by the role of markets, as well as laying out succinctly what can be known or deduced about the actual operation of the market in Western and other cultures. This book will be of interest to students of economics and history.