Russian Culture At The Crossroads

The reexamination of values that began during the USSRs last years continues today in the search for a new Russian culture, one rooted in the pre-Soviet past but dynamic and evolving. Multi-textual, polyphonic, and contradictory, the current Russian cultural discourse is richly reflected in these essays by a diverse group of authors from Russian and American academic and cultural circles. The chapters explore specific cultural domains, surveying Russian and Soviet beliefs and behaviors, and highlighting the range of choices that Russians are facing at this critical juncture. }During the waning years of Soviet power, glasnost laid bare the distress of people trapped in a system they despised but felt powerless to change. The reexamination of values that began then continues today in the search for a new Russian culture, one rooted in the pre-Soviet past but dynamic and evolving, enabling Russians to meet the challenges they face in the contemporary world. Multi-textual, polyphonic, and contradictory, the current Russian cultural discourse is richly reflected in these essays by a diverse group of authors from Russian and American academic and cultural circles. Each chapter focuses on a particular cultural domain, surveying the historical origins of Russian beliefs and behaviors, exploring their Soviet and post-Soviet permutations, and highlighting the range of choices that Russians are facing at this critical juncture. The decisions they make will shape their society and culture for generations to come.Illuminating the universal significance of the Soviet experience, this volume raises provocative questions about the social, political, and economic sources of cultural change.

During the waning years of Soviet power, glasnost laid bare the distress of people trapped in a system they despised but felt powerless to change. The reexamination of values that began then continues today in the search for a new Russian culture, one rooted in the pre-Soviet past but dynamic and evolving, enabling Russians to meet the challenges they face in the contemporary world.Multi-textual, polyphonic, and contradictory, the current Russian cultural discourse is richly reflected in these essays by a diverse group of authors from Russian and American academic and cultural circles. Each chapter focuses on a particular cultural domain, surveying the historical origins of Russian beliefs and behaviors, exploring their Soviet and post-Soviet permutations, and highlighting the range of choices that Russians are facing at this critical juncture. The decisions they make will shape their society and culture for generations to come.Illuminating the universal significance of the Soviet experience, this volume raises provocative questions about the social, political, and economic sources of cultural change.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Russia at the Cross-Roads is an overview of Russian history and culture, written in the early 20th century.

A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.

In The American YMCA and Russian Culture, Matthew Lee Miller explores the impact of the philanthropic activities of the Young Men’s Christian Association (YMCA) on Russians during the late imperial and early Soviet periods. The YMCA, the largest American service organization, initiated its intense engagement with Russians in 1900. During the First World War, the Association organized assistance for prisoners of war, and after the emigration of many Russians to central and western Europe, founded the YMCA Press and supported the St. Sergius Theological Academy in Paris. Miller demonstrates that the YMCA contributed to the preservation, expansion, and enrichment of Eastern Orthodox Christianity. It therefore played a major role in preserving an important part of pre-revolutionary Russian culture in Western Europe during the Soviet period until the repatriation of this culture following the collapse of the USSR. The research is based on the YMCA’s archival records, Moscow and Paris archives, and memoirs of both Russian and American participants. This is the first comprehensive discussion of an extraordinary period of interaction between American and Russian cultures. It also presents a rare example of fruitful interconfessional cooperation by Protestant and Orthodox Christians.

This book is the first interdisciplinary treatment of the cultural significance of the Decembrists' mythic image in Russian literature, history, film and opera in a survey of its deployment as cultural trope since the original 1825 rebellion and through the present day.

A culture that demands only freedom from politics, while rejecting and shunning politics itself, remains inadequate, lifeless, and is ultimately doomed. In its turn, politics that rejects the spiritual oversight of culture inevitably degenerates into tyranny or anarchy, into corruption and mediocrity. Inside this deceptively modest volume will be found a remarkably prescient collection of broadcasts, that are perhaps even more pertinent to the contemporary culture and politics of Russia than they were to the audience within the Soviet Union to whom they were originally addressed. Schmemann presents the complex history of Russia and analyzes trends and tendencies within its culture concisely and simply: showing them to be frequently contradictory and even mutually exclusive. He clarifies the multilayered meaning of "foundations"— its underlying building blocks, the spiritual, the political, the historical, as well as the cultural assets in literature, art, science, and philosophy. In these elements he shows what Russia is grappling with in its struggle to find a synthesis that draws both from its own unique elements and its historical and ongoing interconnectedness with the "West" and the "East."