Russian Literature Since The Revolution

Introduction: Literature and the Political Problem 1. Since 1917: A Brief History Soviet Literature Persistence of the Past Fellow Travelers Proletarians The Stalinists Socialist Realism The Thaw The Sixties and Seventies 2. Mayakovsky and the Left Front of Art The Suicide Note Vladimir Mayakovsky, A Tragedy The Cloud "The Backbone Flute" The Commune and the Left Front The Bedbug and The Bath Mayakovsky as a Monument Poets of Different Camps 3. Prophets of a Brave New World The Machine and England Olesha's Critique of the Reason Envy and Rage 4. The Intellectuals, I Serapions Boris Pilnyak: Biology and History 5. The Intellectuals, II Isaac Babel: Horror in a Minor Key Konstantin Fedin: The Confrontation with Europe Leonov and Katayev Conclusion 6. The Proletarians, I The Proletcult The Blacksmith Poets Yury Libedinsky: Communists as Human Beings Tarasov-Rodionov: ,"Our Own Wives, Our Own Children" Dmitry Furmanov: An Earnest Commissar A. S. Serafimovich: A Popular Saga 7. The Proletarians, II Fyodor Gladkov: A Literary Autodidact Alexander Fadeyev: The Search for a New Leo Tolstoy Mikhail Sholokhov: The Don Cossacks A Scatter of Minor Deities Conclusion 8. The Critic Voronsky and the Pereval Group Criticism and the Study of Literature Voronsky Pereval 9. The Levers of Control under Stalin Resistance The Purge The Literary State 10. Zoshchenko and the Art of Satire 11. After Stalin: The First Two Thaws Pomerantsev, Panova, and The Guests Ilya Ehrenburg and Alexey Tolstoy The Second Thaw The Way of Pasternak 12. Into the Underground The Literary Parties The Trouble with Gosizdat End of a Thaw Buried Treasure: Platonov and Bulgakov The Exodus into Samizdat and Tamizdat Sinyavsky 13. Solzhenitsyn and the Epic of the Camps One Day The First Circle and The Cancer Ward The Gulag The Calf and the Oak: Dichtung and Wahrheit Other Contributions to the Epic 14. The Surface Channel, I: The Village 15. The Surface Channel, II: Variety of Theme and Style The City: Intelligentsia, Women, Workers The Backwoods: Ethical Problems Other New Voices of the Sixties and Seventies World War II Published Poets A Final Word on Socialist Realism 16. Exiles, Early and Late The Exile Experience "Young Prose" and What Became of It Religious Quest: Maximov and Ternovsky Truth through Obscenity: Yuz Aleshkovsky Transcendence and Tragedy: Erofeev's Trip Poetry of the Daft: Sasha Sokolov Perversion of Logic as Ideology: Alexander Zinoviev A Gathering of Writers Conclusion Notes Selected Bibliography Index

Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR

In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.

This volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in émigré literary theory and criticism. Winner of the 2012 Efim Etkind Prize for the best book on Russian culture, awarded by the European University at St. Petersburg, Russia.

This book, first published in 1947, examines the truly vital and enduring qualities of the leading Russian writers, as literature and as interesting documents of phases of Russian history. This is one of the most striking features of Russian literature since Pushkin – it treated artistically social and political issues that in the more prosperous and stable Western world were dealt with through journalism, mainly. This book analyses Russian literature’s propensity for providing reassurance and guidance to withstand the harsher elements of Russian society by examining some of its leading writers.