Russian Traditional Culture

The resurgence of national and historical awareness among the people of what was once the USSR has been nowhere stronger than among the Russians themselves. Some of the larger projects of rediscovery amount to a reinterpretation of traditional culture. This carefully annotated collection of recent studies of Russian folk religion, village organization and family life, including the rituals associated with childbirth, special attention to women's roles and to the specificity of Siberia in Russian culture, will be a revelation to a wide array of readers. It is intended for use not only in anthropology departments but more widely interdisciplinary courses in Russian studies, peasant studies and women's studies.

This is an annotated collection of recent studies of Russian folk religion, village organization and family life, including the rituals associated with childbirth, and paying special attention to women's roles and to the specificity of Siberia in Russian culture.

Russia is a great country—both in terms of size and its achievements. It is the largest country in the world and, perhaps, the richest one as well, if one counts all its natural resources combined. The Russian population is well educated and its sciences and technology are quite advanced. It is also a country with political, legal, and economic systems similar to those in Western Europe and North America. What then prevents it from joining the community of Western democratic societies? What makes it always slide back into the habitual mode of authoritarianism, nationalism, and permeating corruption even when formal democratic institutions and structures are installed? Why does it stubbornly resist any attempts to promote democracy and liberalism? Is it because some curse hangs over the country and it always ends up in the hands of a bad government? The author of this book is convinced that the Russian government is just a derivative of the entire population—the entire culture. The book is thus devoted to Russian culture in comparison with Western cultures and the United States in particular. The author begins this juxtaposition at the dawn of Russian history—the Christianization of Russia in the late tenth century. Religion played a tremendous role in shaping Russian tradition from the tenth through the seventeenth centuries. Choosing Greek Orthodoxy Russia made the first and decisive step away from Western Christianity inheriting the Byzantine kind of authoritarianism and banning not only the religious doctrine but also all knowledge coming from the West including Latin. The author also demonstrates how serfdom and the agricultural commune, which lasted virtually into the twentieth century, fostered the culture of collectivism, nationalism, and legal nihilism. The book’s last part explores the psychology of Russian perceptions of the United States—a crucial factor in the relationships between the two countries. Russian culture, the author contends, persists due to inculcating children during the early childhood socialization, thus passing values and myths from generation to generation. This book represents a truly interdisciplinary project employing ideas and research results from such disciplines as cultural and psychological anthropology, social psychology, psychology of child development, sociology, semiology, law, and history of Russia and Russian religion.

Is there an essential Russian identity? What happens when "Russian" literature is written in English, by such authors as Gary Shteyngart or Lara Vapnyar? What is the geographic "home" of Russian culture created and shared via the internet? Global Russian Cultures innovatively considers these and many related questions about the literary and cultural life of Russians who in successive waves of migration have dispersed to the United States, Europe, and Israel, or who remained after the collapse of the USSR in Ukraine, the Baltic states, and the Central Asian states. The volume's internationally renowned contributors treat the many different global Russian cultures not as "displaced" elements of Russian cultural life but rather as independent entities in their own right. They describe diverse forms of literature, music, film, and everyday life that transcend and defy political, geographic, and even linguistic borders. Arguing that Russian cultures today are many, this volume contends that no state or society can lay claim to be the single or authentic representative of Russianness. In so doing, it contests the conceptions of culture and identity at the root of nation-building projects in and around Russia.

Russia on the Eve of Modernity is a pioneering exploration of a world that has been largely destroyed by revolutionary upheavals and obscured in historical memory by scholarly focus on elites. Drawing on traditional religious texts, ethnographic materials and contemporary accounts, this book brings to light the ideas and perceptions of the ordinary Russian people of the towns and countryside who continued to live in a pre-modern, non-Western culture that showed great resilience to the very end of the Romanov Empire. Leonid Heretz offers an overview of traditional Russian understandings of the world and its workings, and shows popular responses to events from the assassination of Alexander II to the First World War. This history of ordinary Russians illuminates key themes ranging from peasant monarchism to apocalyptic responses to intrusions from the modern world and will appeal to scholars of Russian history and the history of religion in modern Europe.

This book brings together scholars from across a variety of disciplines who use different methodologies to interrogate the changing nature of Russian culture in the twenty-first century. The book considers a wide range of cultural forms that have been instrumental in globalizing Russia. These include literature, art, music, film, media, the internet, sport, urban spaces, and the Russian language. The book pays special attention to the processes by which cultural producers negotiate between Russian government and global cultural capital. It focuses on the issues of canon, identity, soft power and cultural exchange. The book provides a conceptual framework for analyzing Russia as a transnational entity and its contemporary culture in the globalized world.

Though current events have brought Russia into the spotlight of late, many Americans still have only the haziest notion of Russian culture. This wide-ranging reference introduces the peoples, languages, and religions of Russia and also delves into such facets of Russian culture as sports, the media, holidays, traditional foods, and education. Chapters devoted to architecture, the visual arts, literature, and the performing arts highlight the best of Russia's cultural heritage, including the novels of Leo Tolstoy and Fyodor Dostoyevsky, the films of Sergey Eisenstein, the music of Tchaikovsky and Sergey Prokofiev, and the churches of Pskov. Readers will find this volume to be a fascinating introduction to a rich, complex culture.