Ruth Roger And Me

"A time of major upheaval now stands between young and old in New Zealand. In Ruth, Roger and Me, Andrew Dean explores the lives of the generation of young people brought up in the shadow of the economic reforms of the 1980s and 1990s, those whom he calls 'the children of the Mother of All Budgets'. Drawing together memoir, history, and interviews, he explores the experiences of 'discomfort' and 'disconnection' in modern Aotearoa New Zealand"--Publisher information.

‘Your words of “discomfort, loss, and disconnection” don’t resonate with me at all.’ Ruth Richardson to Andrew Dean, 16 December 2014. A time of major upheaval now stands between young and old in New Zealand. In Ruth, Roger and Me, Andrew Dean explores the lives of the generation of young people brought up in the shadow of the economic reforms of the 1980s and 1990s, those whom he calls ‘the children of the Mother of All Budgets’. Drawing together memoir, history and interviews, he explores the experiences of ‘discomfort’ and ‘disconnection’ in modern Aotearoa New Zealand.

It was not long ago that students were dismissed as apathetic. Yet, today, a new generation of young political actors is making waves in New Zealand and around the world. What explains this apparent shift and what is driving these new forms of youth­ful political engagement and expression? Exploring the terrain between activism and apathy, Sylvia Nissen considers what it means to be a political actor from the perspective of students today. Drawing on in­-depth interviews with New Zealand tertiary students, she traces their ‘desires’ for different types of politics, the ‘demands’ they experience at university, and the ‘doubts’ that underscore their political engagement.

The Borders exist for good or ill. Sometimes you can slip across at night and return before morning. Sometimes you stay for a day. Sometimes you have to stay forever.

The daring and passionate life of photographer Margaret Bourke-White — the first female war photojournalist in World War II and the first female photographer for Life magazine — is captured in this historical novel. Growing up, Margaret Bourke-White intended to become a herpetologist, but while she was still in college, her interest in nature changed to a fascination with photography. As her skill with a camera grew, her focus widened from landscapes architecture to shots of factories, trains, and bridges. Her artist's eye sharpened to see patterns and harsh beauty where others saw only chaos and ugliness. Totally dedicated to her work, and driven by her ambition to succeed, she eventually became a well-known and sought after photographer, traveling all over the United States and Europe. A comprehensive author's note provides additional information to round out readers' understanding of this fascinating and inspiring historical figure.

Diverse elements have created New Zealand’s distinctive political and social culture. First is New Zealand’s journey as a colony, and the various impacts this had on settler and Maori society. The second theme is the quest for what one prominent historian has labelled ‘national obsessions’ – equality and security, both individual and collective. The third, and more recent, theme is New Zealand’s emergence as a nation with a unique identity. New Zealand’s small geographic size and relative isolation from other societies, the dominant influence of British culture, the resurgence of Maori language and culture, the endemic instability of an economy based on a narrow range of pastoral products, and the dominance of the state in the lives of its people, all help to explain much of the present-day New Zealand psyche. This third edition of Historical Dictionary of New Zealand contains a chronology, an introduction, appendix, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about New Zealand.

By any measure, New Zealand must confront monumental issues in the years ahead. From the future of work to climate change, wealth inequality to new populism – these challenges are complex and even unprecedented. Yet why does New Zealand’s political discussion seem so diminished, and our political imagination unequal to the enormity of these issues? And why is this gulf particularly apparent to young New Zealanders? These questions sit at the centre of Max Harris’s ‘New Zealand project’. This book represents, from the perspective of a brilliant young New Zealander, a vision for confronting the challenges ahead. Unashamedly idealistic, The New Zealand Project arrives at a time of global upheaval that demands new conversations about our shared future.

Leading UK economist Guy Standing has referred to the precariat as a class-in-the-making. The Precariat are our fellow citizens — be they poor, elderly, disabled, homeless, estranged from their cultural communities, refugees, engaged in casual work — who lead lives of uncertainty, dependency, powerlessness, perilousness and insufficiency. They are the outcome of the gradual dismantling of the welfare state and the withering of union representation. They are also the victims of the changing nature of work. This important book moves beyond the world of labour to identify and illustrate other forms of precarity in New Zealand, including the lack of opportunities for cultural expression and the struggle to be safe. It focuses on New Zealand's emerging class, not to further vilify it but rather to place its members' lived experience in plain sight. As the editors say, &‘It is time that all New Zealanders understood the reality of what many of our citizens endure in the struggle to make ends meet and live dignified lives.'