S E C O N D C H A N C E

Taylor Edwards family might not be that close - everyone is a little too busy and overscheduled, but for the most part, they get along just fine. Then Taylor's dad gets some devastating news, and her parents decide that the family will spend on last summer together at their old lake house in the Pcocono Mountains. Crammed into a place much smaller than they are used to, they begin to get to know each other again, but as the summer progresses they're more aware than ever that they're battling a ticking clock. And as Taylor tries to deal with the drama at home, she is faced with the fact that the friends she thought she'd left behind haven't actually gone anywhere. Her former summer best friend is still living across the lake and still as mad with Taylor as she was five years ago, and her first boyfriend has moved in next door… but he's much cuter at seventeen than he was at twelve. Can one summer be enough time to get a second chance - with family, friends, and love?

As his wife Sarah lies dying, John makes a deal with a demon for a desperate chance to save her! Transported to their childhood, John gets a single day to prevent the tragedy that led to Sarah’s present-day doom, all while trying to convince her that he really is who he says! * An original graphic novel from the Last of Us creative director!

As editor-in-chief of New York’s leading fashion magazine, Fiona Monaghan was utterly content with her life, jetting back and forth between her stylish Manhattan and Europe—until the sweltering June day John Anderson strolled into her office. A widower with two daughters, John was as conservative as Fiona was freewheeling, both amused and appalled by her world of high-strung designers, anorexic models, Fendi-stuffed closets, and Sir Winston, her snoring bulldog. But after Fiona impulsively invited John to the Paris couture shows, somewhere between the magic of the runway and the stroll along the Seine, she let him into her heart. And within weeks of their return to New York, John was making friends with Sir Winston—and Fiona was making room in her closets. It didn’t take long for the dominoes to start falling. First, John introduced Fiona to his hostile daughters and their bloodthirsty Pekingese and snarling housekeeper. Then, after a disastrous dinner party with John’s biggest client, Fiona and John’s relationship began to unravel with alarming speed. What happens next will set Fiona on a journey filled with pain, revelation, and awakening. When she risks everything and returns to Paris alone, an extraordinary series of events begins to unfold. And as the snow falls on the city of light, the curtain will rise on a second act Fiona never saw coming. In a dazzling tale of modern misadventures and career-crossed relationships, Danielle Steel captures the heady magic of instant attraction, the challenges of change—and the hope that comes when we dare to do it all over again.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

That Love is the first book in Danny's Duet and is a great jumping off point for new readers to the series. I first met the ridiculously handsome Danny Diamond at a party some fifteen years ago. He had brilliant blue eyes, a sexy smirk, and a muscular body. We had a crazy, instant connection. So, I did what I had to do—threw myself in his direction and kissed him. And that kiss … was like a freaking fairy tale. At least it was until he stopped it because he was married. In my tipsy state, I replied with something cheesy like, “Don’t promise me forever, just promise me tonight.” And after a kiss like that, who could blame me? Clearly, I wasn’t thinking straight because I would never sleep with a married man. But in that moment, I kind of wanted to. I thought maybe we could be friends instead, but he couldn’t. He was a hotshot rookie quarterback with a wife and a new baby. He was living his dream. Right now, my life is not perfect. Sure, I’m an award-winning actress, and everyone thinks I’ve got this glamorous celebrity life—that is, until my longtime boyfriend is caught on video in an Amsterdam brothel, and our love becomes tabloid fodder. And that brings me to where I am now—hiding out from the paparazzi and staring at a shirtless, sweaty Danny, who is drinking milk from a carton at his neighbor’s house. I want to impulsively kiss him again because he looks even better than I remember, but I don’t. Because I don’t know that his marriage is over. Or that he feels the same way about me. Or that we might actually have a shot at that forever kind of love.

AlinaI was eleven when I met Chase Adams. I loved him before I knew what lovin' was.I pulled, he pushed.I gave, he took.I loved... I lost.Now he's back. All grown up and sexy as sin.But things changed while he was gone.So, he can show those dimples and flex those muscles all he wants.It won't change a thing.Chase Adams is nothin' but a lost memory. I'll do everything I can to keep him that way.ChaseGrowing up, there were only two women I ever loved.Neither one of them ever really loved me back.Until her. Alina. My Goldi.She was everything that's good. I was the bad.She was the brightest goddamn star. I was the black hole shredding her to pieces.I loved her wrong, losing her to my demons.But now I'm back. A better man.I'll do everything I can to make her remember us, even if all she wants is to forget.

Renowned conservationist Aldo Leopold once wrote, "A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it does otherwise." Few have taken Leopold's vision more to heart than Steven I. Apfelbaum, who has, over the last thirty years, transformed his eighty-acre Stone Prairie Farm in Wisconsin into a biologically diverse ecosystem of prairie, wetland, spring-fed brook, and savanna. In healing his land, Apfelbaum demonstrates how humans might play a starring role in healing the planet.