S Hurok Presents

"S. Hurok Presents; A Memoir of the Dance World" by Sol Hurok. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

“Michael Menzies has led the picaresque life many of us only dream of, and he sets it down with such wit and grace it's hard to know which to envy more, his wealth of once-in-a-lifetime experiences or his skill with a pen.”—Christopher Lloyd, Emmy Award-winning executive producer/writer of Modern Family and Frasier In this dazzling memoir that also serves as a dual biography of stage and film legends Noël Coward and Marlene Dietrich, film and music executive Michael Menzies chronicles in hilarious detail his life-long obsession with the theater in general and these two international superstars in particular. At age twelve, Menzies discovered the autobiography of actor/writer/composer Noël Coward and was consumed by it. Although still only a youth, Menzies identified hugely with Coward—so much so that he came to believe that he must be the star’s love child. But with whom? In a burst of inspiration Menzies worked out that his mother could only be Marlene Dietrich. The author then decides that as soon as he can he will voyage around the world to confront Coward and Dietrich in person and announce himself as their son. Yet even after he finally abandons his plan, Menzies continues his search for them—and their pasts—spending the rest of his life following in their footsteps, traveling to London, Paris, New York, Berlin, Switzerland, and Jamaica. Deeply Superficial is at once a warm and witty homage to these two legends and the lasting impact their spectacular careers left on the world—and on a twelve-year-old dreaming of fame in a faraway place. Michael Menzies has lived all over the world, and has worked with rock ’n’ roll promoter Bill Graham, impresario Sol Hurok, choreographer Agnes de Mille, Broadway producer Saint-Subber, and in film with the de Laurentiis family. He lives in Los Angeles.

In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.