Sacred And Profane Dimensions Of Love In Indian Traditions As Exemplified In The G Tagovinda Of Jayadeva

Critical study on a 12th century Sanskrit poem about the Hindu deities Krishna and Rādhā, analysing the Hindu approach to the love sentiment.

Jayadeva's dramatic lyrical poem Gitagovinda is a unique work in Indian literature and a source of inspiration in both medieval and contemporary Vaisnavism. It concentrates on Krsna's love with the Cowherdess Radha. Intense earthly passion is the example Jayadeva uses to express the complexities of divine and human love. It describes the loves of Krsna and Radha in twelve cantos containing twenty-four songs. The songs are sung by Krsna or Radha or Radha's maid and are connected by a brief narrative of descriptive passages. The appropriate musical mode and rhythm for each song are noted in the text. This poem is really a kind of drama, of the ragakavya type, since it is usually acted. Critical acclaim of the poem has been high, but its frank eroticism has led many Indian commentators to interpret the love between Radha and Krsna as an allegory of the human soul's love for God. Learned and popular audiences in India and elsewhere have continued to appreciate the emotional lyricism the poem expresses in its variations on the theme of separated lover's passion.

Krishna is a central figure in Hinduism, a religion that has been a fundamental force for thousands of years. This accessible encyclopedia covers texts, practices, scholarship, and arts related to Krishna from the earliest known sources on. As Eastern religions and related practices such as yoga become increasingly popular, there is a need for resources that explain where these practices come from and what they mean. This is one of those works. Krishna is central to Hindu philosophy, theology, art, architecture, and literature, and an understanding of Krishna will give students greater understanding of the role of Hinduism around the world. Yet this isn't just a book on religion. The encyclopedia also provides insights into Indian and world history and into contemporary concerns, fostering respect for religious and cultural diversity. Entries on a wide range of subjects related to Krishna cover India and other places where major Krishna religious centers and temples are established worldwide. Articles draw from classical Indian sources dating back as far as 1300 BCE and from folk and worldwide literature, including mythology from Jainism and Buddhism. The book's alphabetical organization, cross references in each entry that highlight related entries and further readings, and topical and thematic lists will facilitate in-depth research.

The book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.

Epic love poems often share common thematic elements -love in union, love in separation, and love in reunion. This book investigates common threads and shared symbolism between the literary masterpieces The Story of Layla Majnun (written by Nizami in the Islamic Sufi tradition) and Gita Govinda (written by Jayadeva in the Hindu Bhaktic tradition). Book jacket.

In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance. In The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent—or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900-1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.

This book offers an analysis of key issues concerning the phenomenon of scriptural adaptation. It offers a new understanding of religious pluralism, stressing the need to enter into dialogue with an 'open attitude' by honoring the individual commitments and maintaining differences in mutual respect and dignity.

The nineteenth-century development -- and later consequences -- of the imagined relationship between ancient India and modern German culture.