Sacred And Profane Love

Montague Small, an obsessive writer of detective thrillers, mourns his lately dead wife, who may or may not have been unfaithful to him. His attempts at meditation are a failure. He detests his fictional detective. His interest in his neighbour's difficulties and his neighbour's wife appear to be his only consolations after all. The neighbour, Blaise Gavender, is an amateur psychotherapist who has seen through himself. Has Blaise the courage to change his life and become an honest man? What is honesty in any case? Blaise's wife Harriet lives for love, love of her husband, love of her son. She if fond of Monty too. Emily McHugh is quite another matter. She too lives for love: for love and justice and revenge, aided and incited by her ambiguous friend Constance Pinn. Emily's son Luca, a very disturbed child, becomes the subject of a tug of war between two possessive women. Edgar Demornay, a distinguished scholar, also blunders into the fray; he adores Monty and falls in love with Monty's women. A deed of violence finally solves many problems. This is a story of different loves; and of how a man may need two women in such a way that he can be happy with neither. Sacred and profane love are related opposites; the one enjoyed renders the other necessary, so that the ever unsatisfied heart swings constantly to and fro.

Examines the major paintings and themes of Titian, including an analysis of "Sacred and Profane Love", as well as information about his life and cultural surroundings. -- From product description.

Reproduction of the original: Sacred and Profane Love by Arnold Bennett

Count Pinamonte tells the narrator, a Danish nobleman, how a failed love affair led him to search for the spiritual meaning of love

A Dominican-born academic tells the story of how the Great Books transformed his life—and why they have the power to speak to people of all backgrounds What is the value of a liberal education? Traditionally characterized by a rigorous engagement with the classics of Western thought and literature, this approach to education is all but extinct in American universities, replaced by flexible distribution requirements and ever-narrower academic specialization. Many academics attack the very idea of a Western canon as chauvinistic, while the general public increasingly doubts the value of the humanities. In Rescuing Socrates, Dominican-born American academic Roosevelt Montás tells the story of how a liberal education transformed his life, and offers an intimate account of the relevance of the Great Books today, especially to members of historically marginalized communities. Montás emigrated from the Dominican Republic to Queens, New York, when he was twelve and encountered the Western classics as an undergraduate in Columbia University’s renowned Core Curriculum, one of America’s last remaining Great Books programs. The experience changed his life and determined his career—he went on to earn a PhD in English and comparative literature, serve as director of Columbia’s Center for the Core Curriculum, and start a Great Books program for low-income high school students who aspire to be the first in their families to attend college. Weaving together memoir and literary reflection, Rescuing Socrates describes how four authors—Plato, Augustine, Freud, and Gandhi—had a profound impact on Montás’s life. In doing so, the book drives home what it’s like to experience a liberal education—and why it can still remake lives.

Famed historian of religion Mircea Eliade observes that even moderns who proclaim themselves residents of a completely profane world are still unconsciously nourished by the memory of the sacred. Eliade traces manifestations of the sacred from primitive to modern times in terms of space, time, nature, and the cosmos. In doing so he shows how the total human experience of the religious man compares with that of the nonreligious. This book serves as an excellent introduction to the history of religion, but its perspective also emcompasses philosophical anthropology, phenomenology, and psychology. It will appeal to anyone seeking to discover the potential dimensions of human existence. -- P. [4] of cover.

Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio'spictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.

Critical study on a 12th century Sanskrit poem about the Hindu deities Krishna and Rādhā, analysing the Hindu approach to the love sentiment.