Sacred Architecture In A Secular Age

Having won more than one recent poll as Britain’s best-loved building, the appeal of Durham Cathedral appears abiding, which begs the question whether an iconic sacred building can retain meaning and affective pertinence for contemporary, secular visitors. Using the example of Durham Cathedral, this book sets out to explore wherein the appeal of historic churches lies today and considers questions of how and why their preservation into a post-Christian era should be secured. By including feedback from visitors to the cathedral, and the author’s own very personal account of the cathedral in the form of an ekphrasis, this work seeks to privilege an interpretation of architecture that is based on the individual experience rather than on more conventional narratives of architecture history and cultural heritage policy. Recognising the implication of our choice of narrative on the perceived value of historic churches is crucial when deliberating their future role. This book puts forth a compelling case for historical sacred architecture, suggesting that its loss - through imperceptive conservation practices as much as through neglect or demolition - would diminish us all, secularists, atheists and agnostics included.

Having won more than one recent poll as Britain’s best-loved building, the appeal of Durham Cathedral appears abiding, which begs the question whether an iconic sacred building can retain meaning and affective pertinence for contemporary, secular visitors. Using the example of Durham Cathedral, this book sets out to explore wherein the appeal of historic churches lies today and considers questions of how and why their preservation into a post-Christian era should be secured. By including feedback from visitors to the cathedral, and the author’s own very personal account of the cathedral in the form of an ekphrasis, this work seeks to privilege an interpretation of architecture that is based on the individual experience rather than on more conventional narratives of architecture history and cultural heritage policy. Recognising the implication of our choice of narrative on the perceived value of historic churches is crucial when deliberating their future role. This book puts forth a compelling case for historical sacred architecture, suggesting that its loss - through imperceptive conservation practices as much as through neglect or demolition - would diminish us all, secularists, atheists and agnostics included.

This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.

The loss or disaffiliation of young adults is a much-discussed topic in churches today. Many faith-formation programs focus on keeping the young, believing the youthful spirit will save the church. But do these programs have more to do with an obsession with youthfulness than with helping young people encounter the living God? Questioning the search for new or improved faith-formation programs, leading practical theologian Andrew Root offers an alternative take on the issue of youth drifting away from the church and articulates how faith can be formed in our secular age. He offers a theology of faith constructed from a rich cultural conversation, providing a deeper understanding of the phenomena of the "nones" and "moralistic therapeutic deism." Root helps readers understand why forming faith is so hard in our context and shows that what we have lost is not the ability to keep people connected to our churches but an imagination for how and where God could be present in their lives. He considers what faith is and what steps we can take to move into it, exploring a Pauline concept of faith as encounter with divine action.

This edited volume, Modern Architecture and the Sacred, presents a timely reappraisal of the manifold engagements that modern architecture has had with 'the sacred'. It comprises fourteen individual chapters arranged in three thematic sections – Beginnings and Transformations of the Modern Sacred; Buildings for Modern Worship; and Semi-Sacred Settings in the Cultural Topography of Modernity. The first interprets the intellectual and artistic roots of modern ideas of the sacred in the post-Enlightenment period and tracks the transformation of these in architecture over time. The second studies the ways in which organized religion responded to the challenges of the new modern self-understanding, and then the third investigates the ways that abstract modern notions of the sacred have been embodied in the ersatz sacred contexts of theatres, galleries, memorials and museums. While centring on Western architecture during the decisive period of the first half of the 20th century – a time that takes in the early musings on spirituality by some of the avant-garde in defiance of Sachlichkeit and the machine aesthetic – the volume also considers the many-varied appropriations of sacrality that architects have made up to the present day, and also in social and cultural contexts beyond the West.

An ethnographic account of daily life in Durham Cathedral, this book examines the processes of negotiation and change between a community and their cathedral. Focusing on the role of sound, light, time, space, building and dwelling, the author argues that Durham Cathedral is much more than just a backdrop to everyday life. Rather, through the constant processes of negotiation and change, it is a fully engaged participant in the daily lives of those who use Durham Cathedral. As such, it is not a place in which life happens, but a place with which life happens.

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This timely book reflects an awakening of interest in religious faiths and the emergence of a 'global exchange of architecture and culture. While Spain's Rafael Moneo has recently completed a cathedral in Los Angeles, Britain's Thomas Heatherwick is designing a Buddhist temple in Japan, John Pawson is working on a Cistercian monastery in the Czech Republic and Richard Meier has completed his Jubilee Church in Rome. It seems, as one Wallpaper registered] pundit commented, 'religion is getting a redesign' and the architect's faith is as unimportant as his or her nationality. I Looking at ways in which contemporary architects are approaching religious or meditative space, this book focuses on churches, chapels, temples, synagogues and mosques that have been built in the last few years and that represent a late-twentieth/ early-twenty-first century aesthetic.