Sacred Traces

In his novel Kim, in which a Tibetan pilgrim seeks to visit important Buddhist sites in India, Rudyard Kipling reveals the nineteenth-century fascination with the discovery of the importance of Buddhism in India's past. Janice Leoshko, a scholar of South Asian Buddhist art uses Kipling's account and those of other western writers to offer new insight into the priorities underlying nineteenth-century studies of Buddhist art in India. In the absence of written records, the first explorations of Buddhist sites were often guided by accounts of Chinese pilgrims. They had journeyed to India more than a thousand years earlier in search of sacred traces of the Buddha, the places where he lived, obtained enlightenment, taught and finally passed into nirvana. The British explorers, however, had other interests besides the religion itself. They were motivated by concerns tied to the growing British control of the subcontinent. Building on earlier interventions, Janice Leoshko examines this history of nineteenth-century exploration in order to illuminate how early concerns shaped the way Buddhist art has been studied in the West and presented in its museums.

Lying on the border between eastern and western Christendom, Orthodox Karelia preserved its unique religious culture into the 19th and 20th centuries, when it was described and recorded by Finnish and Karelian folklore collectors. This colorful array of ritulas and beliefs involving nature spirits, saints, the dead, and pilgrimage to monasteries represented a unigue fusion of official Church ritual and doctrine and pre-Christian ethnic folk belief. This book undertakes a fascinating exploration into many aspects of Orthodox Karelian ritual life: beliefs in supernatural forces, folk models of illness, body concepts, divination, holy icons, the role of the ritual specialist and healer, the divide between nature and culture, images of forest, the cult of the dead, and the popular image of monasteries and holy hermits. It will appeal to anyone interested in popular religion, the cognitive study of religion, ritual studies, medical anthropology, and the folk traditions and symbolism of the Balto-Finnic peoples.

By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Ma�ju r (known for his habit of riding around the mountain on a lion), the site in northeastern China�s Shanxi Province was transformed from a wild area, long believed by Daoists to be sacred, into an elaborate complex of Buddhist monasteries. In Building a Sacred Mountain, Wei-Cheng Lin traces the confluence of factors that produced this transformation and argues that monastic architecture, more than texts, icons, relics, or pilgrimages, was the key to Mount Wutai�s emergence as a sacred site. Departing from traditional architectural scholarship, Lin�s interdisciplinary approach goes beyond the analysis of forms and structures to show how the built environment can work in tandem with practices and discourses to provide a space for encountering the divine. For more information: http://arthistorypi.org/books/building-a-sacred-mountain

In his novel Kim, in which a Tibetan pilgrim seeks to visit important Buddhist sites in India, Rudyard Kipling reveals the nineteenth-century fascination with the discovery of the importance of Buddhism in India's past. Janice Leoshko, a scholar of South Asian Buddhist art uses Kipling's account and those of other western writers to offer new insight into the priorities underlying nineteenth-century studies of Buddhist art in India. In the absence of written records, the first explorations of Buddhist sites were often guided by accounts of Chinese pilgrims. They had journeyed to India more than a thousand years earlier in search of sacred traces of the Buddha, the places where he lived, obtained enlightenment, taught and finally passed into nirvana. The British explorers, however, had other interests besides the religion itself. They were motivated by concerns tied to the growing British control of the subcontinent. Building on earlier interventions, Janice Leoshko examines this history of nineteenth-century exploration in order to illuminate how early concerns shaped the way Buddhist art has been studied in the West and presented in its museums.

"About time! Two key experts in the field remind us of the significance and power of religion as bio-political and bio-economic." - Beverley Skeggs, Goldsmiths, University of London "A welcome addition to a continuing body of work by two distinguished theorists of religion." - Grace Davie, University of Exeter "Mellor and Shilling cement their place at the pinnacle of the contemporary sociological theorisation of religion and the sacred. If sociological work is going to have any future it is to be found in the inspiration and excitement of this sophisticated and intelligent book." - Keith Tester, University of Hull "This book is ambitious, refreshing and rewarding. It offers the best available analysis of the complex interlacing of the sacred, religion, secularization and embodied experience." - James A. Beckford, University of Warwick Drawing on classical and contemporary social theory, Sociology of the Sacred presents a bold and original account of how interactions between religious and secular forms of the sacred underpin major conflicts in the world today, and illuminate broader patterns of social and cultural change inherent to global modernity. It demonstrates: How the bodily capacities help religions adapt to social change but also facilitate their internal transformation That the ‘sacred’ includes a diverse range of phenomena, with variable implications for questions of social order and change How proponents of a ‘post-secular’ age have failed to grasp the ways in which sacralization can advance secularization Why the sociology of the sacred needs to be a key part of attempts to make sense of the nature and directionality of social change in global modernity today. This book is key reading for the sociology of religion, the body and modern culture.

This book offers global perspectives from Mediterranean, Asian, Australian, and American cultures on sacred sites and their related stories in regional history. Contemporary society witnesses many travelers visiting sacred sites (temples, mountains, castles, churches, houses) throughout the world. These visits often involve discovery of new historical facts through the origin stories of the associated tribe, region, or nation. The transmission of oral tradition and myth carries on the significant meaning of those religious sites. This volume unveils multi-angle perspectives of symbolic and mystical places. The contributors describe the religio-political experiences of each regional case, and analyze the religiosity of local people as a lens through which readers can re-examine the concept of iconography, syncretism, and materialism. In addition, contributors interpret the growth of new religions as the alternative perspectives of anti-traditional religions. This new approach offers significant insight into comprehending the practical agony and sorrow of regional people in the context of contemporary history.

This book aims to map out ways of designing and planning products so that their value is sustained and they can be kept in use for a longer time. It tells the story of Vivian, a name that represents any product. The life oF Vivian is traced from preconception, through development, purchase and long period of use, right up to oblivion. Vivian's story is embedded in the information and experiences that the Eternally Yours Foundation has gathered over the past years, culminating in the 'Time in design' conference organized in October 2003 in cooperation with the Long Now Foundation. This book includes most of the lectures by, among many others, Ezio Manzini, Brian Eno, Gustaf Beumer and John Thackara - introduction.