Sacrifice And National Belonging In Twentieth Century Germany

Over the course of the 20th century, Germans from virtually all walks of life were touched by two problems: forging a sense of national community and coming to terms with widespread suffering. Arguably, no country in the modern Western world has been so closely associated with both inflicting and overcoming catastrophic misery in the name of national belonging. Within this context, the concept and ideal of "sacrifice" have played a pivotal role in recent German political culture. As the seven studies in this volume show, once the value of heroic national sacrifice was invoked during World War I to mobilize German soldiers and civilians, it proved to be a remarkably effective way to respond to a wide variety of social dislocations. How did the ideals of sacrifice play a role in constructing German nationalism? How did the Nazis use this idea to justify mass killing? What consequences did this have for postwar Germany? This volume opens up discussions about the history of 20th-century German political life.

The turn of the millennium has stimulated much scholarly reflection on the historical significance of the twentieth century as a whole. Explaining the century’s dual legacy of progress and prosperity on one hand, and of world war, genocide, and mass destruction on the other, has become a key task for academics and policymakers alike. Not surprisingly, Germany holds a prominent position in the discussion. What does it mean for a society to be so closely identified with both inflicting and withstanding enormous suffering, as well as with promoting and enjoying unprecedented affluence? What did Germany’s experiences of misery and abundance, fear and security, destruction and reconstruction, trauma and rehabilitation have to do with one another? How has Germany been imagined and experienced as a country uniquely stamped by pain and prosperity? The contributors to this book engage these questions by reconsidering Germany’s recent past according to the themes of pain and prosperity, focusing on such topics as welfare policy, urban history, childbirth, medicine, racism, political ideology, consumerism, and nostalgia.

This is the second of three volumes based on papers given at the 'Fragile Tradition' conference in Cambridge, 2002. Together they provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world across the whole of the modern period. This volume highlights the connections between cultural identity and the sense of nationhood which are to be found in literary writing, the history of ideas, and the interaction between European cultures from the late Middle Ages to the present day. It focuses particularly on the way myths of cultural identity are passed on and transformed historically; on the fashioning of various models of modern German identity with reference to the cultures of Greece, France, England and Renaissance Italy; on the reflection of 19th-century nationalism in literary writing and ideas about language; and on the ways in which cultural values have asserted themselves in relation to moments of catastrophe and abrupt political change in the 1920s, the 1940s, and the 1990s.

Approximately 9 million soldiers fell into enemy hands from 1914 to 1918, but historians have only recently begun to recognize the prisoner of war's significance to the history of the Great War. Examining the experiences of the approximately 130,000 German prisoners held in the United Kingdom during World War I, historian Brian K. Feltman brings wartime captivity back into focus. Many German men of the Great War defined themselves and their manhood through their defense of the homeland. They often looked down on captured soldiers as potential deserters or cowards--and when they themselves fell into enemy hands, they were forced to cope with the stigma of surrender. This book examines the legacies of surrender and shows that the desire to repair their image as honorable men led many former prisoners toward an alliance with Hitler and Nazism after 1933. By drawing attention to the shame of captivity, this book does more than merely deepen our understanding of German soldiers' time in British hands. It illustrates the ways that popular notions of manhood affected soldiers' experience of captivity, and it sheds new light on perceptions of what it means to be a man at war.

This book opens the debate about German history in the long term – about how ideas and political forms are traceable across what historians have taken to be the sharp breaks of German history. Smith argues that current historiography has become ever more focused on the twentieth century, and on twentieth-century explanations for the catastrophes at the center of German history. Against conventional wisdom, he considers continuities - nation and nationalism, religion and religious exclusion, racism and violence - that are the center of the German historical experience and that have long histories. Smith explores these deep continuities in novel ways, emphasizing their importance, while arguing that Germany was not on a special path to destruction. The result is a series of innovative reflections on the crystallization of nationalist ideology, on patterns of anti-Semitism, and on how the nineteenth-century vocabulary of race structured the twentieth-century genocidal imagination.

The Aesthetics of Loss is a cultural history of German women's art of the First World War that locates the artists' rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, Claudia Siebrecht examines the thematic evolution of women's art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and to place grief at the centre of women's war experiences. As a cultural, aesthetic, and thematic point of reference, German women's art of the First World War has had a fundamental influence on the European memory and understanding of modern war.

Sacrifice and Value: A Kantian Interpretation argues that we create values by making sacrifices. Values don't exist outside of us; they exist only when we give a gift without expecting a return. As Sidney Axinn demonstrates, we must have values in order to make decisions, to have friends or lovers, and to choose goals of any sort. Sacrifice is basic to almost everything of importance: care, love, religion, patriotism, loyalties, warfare, friendship, gift giving, morality. Axin uses Aristotle, Cicero, and Kant, and contemporary philosophers Oldenquest, Frankfurt, Friedman, Starobinski and others to analyze the role of sacrifice. A novel feature is the attention given to Kant's use of sacrifice. Sacrifice and Value will interest advanced students and scholars of philosophy_particularly value theory and moral theory_as well as women's studies, religion, political theory, and psychology.

Recent years have witnessed growing scholarly interest in the history of death. Increasing academic attention toward death as a historical subject in its own right is very much linked to its pre-eminent place in 20th-century history, and Germany, predictably, occupies a special place in these inquiries. This collection of essays explores how German mourning changed over the 20th century in different contexts, with a particular view to how death was linked to larger issues of social order and cultural self-understanding. It contributes to a history of death in 20th-century Germany that does not begin and end with the Third Reich.