Saint Lucian Writers And Writing

This superb author index of poetry, prose and drama explores the writing landscape of Saint Lucia. Everyone - from the internationally acclaimed Derek Walcott to self-published unknowns - are there. But this bibliography is not just about literature, it also features the social, political and cultural dimensions of Saint Lucia, from scholarly essays to the ephemera of funeral pamphlets and recipe books. Foreword by Antonia MacDonald.

Bibliography of St. Lucian Creative Writing: Poetry, Prose, Drama by St. Lucian writers is an invaluable reference tool for those researching St. Lucian literature, including the work of internationally recognised St. Lucian-born Nobel laureate Derek Walcott. It lists published and unpublished literature by St. Lucians writing poetry, prose, and drama. Reviews and articles on St. Lucian literature are also cited in a substantial section. Also included are a listing of background readings that throw light on the literature. While the book was several years in the making, its completion was commissioned by the Cultural Development Foundation of St. Lucia.

The Caribbean island nation of St. Lucia is home to a thriving tourism industry. However, there’s much more to St. Lucia than just the stretches of sandy beaches and resorts that are filled with travelers from around the world. St. Lucia has a vibrant culture and rich history, and readers are introduced to them in this comprehensive guide to life on this island. Informative sidebars, clearly labeled maps, and beautiful photographs help readers discover more about St. Lucia, and simple recipes allow readers to bring island flavors into their homes.

Winner of: 2015 OCM Bocas Prize for Caribbean Literature Vladimir Lucien is a young poet with so many gifts; his poetry is intelligent, musical, gritty in observation, graceful in method. His poems contain stories of ancestors, immediate family, the history embedded in his language choices as a St Lucian writer, and heroes such as Walter Rodney, C. L. R. James, Kamau Brathwaite, and a local steelbandsman. Although never overtly political, there's an oblique and often witty politics embedded in the poems, as where observing the rise of a grandfather out of rural poverty into the style of colonial respectability, he writes of the man "who eat his farine and fish / and avocado in a civilize fight between / knife and fork and etiquette on his plate." This is a collection that is alive with its conscious tensions both in subject matter and form. There's a tension between the vision of ancestors, family, and of the poet himself as being engaged in the business of acting in the world and building on the past, and a sharp awareness of the inescapability of age's frailty, the decay of memory and of death.

Archiving Caribbean Identity highlights the "Caribbeanization" of archives in the region, considering what those archives could include in the future and exploring the potential for new records in new formats. Interpreting records in the broadest sense, the 15 chapters in this volume explore a wide variety of records that represent new archival interpretations. The book is split into two parts, with the first part focusing on record forms that are not generally considered "archival" in traditional Western practice. The second part explores more "traditional" archival collections and demonstrates how these collections are analysed and presented from the perspective of Caribbean peoples. As a whole, the volume suggests how colonial records can be repurposed to surface Caribbean narratives. Reflecting on the unique challenges faced by developing countries as they approach their archives, the volume considers how to identify and archive records in the forms and formats that reflect the postcolonial and decolonized Caribbean, how to build an archive of the people that documents contemporary society and reflects Caribbean memory, and how to repurpose the colonial archives so that they assist the Caribbean in reclaiming its history. Archiving Caribbean Identity demonstrates how non-textual cultural traces function as archival records and how folk-centred perspectives disrupt conventional understandings of records. The book should thus be of interest to academics and students engaged in the study of archives, memory, culture, history, sociology, and the colonial and postcolonial experience.

Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.