Saint Michel L Ange Gardien De La France

Il fait chuter Lucifer, s'écrouler les murailles de Jéricho, protège Daniel des lions à Babylone, gagne la victoire au mont Gargan, se bat avec Constantin au pont Milvius ce qui permet l'éclosion de l'Occident chrétien. Il fait encore des miracles à Colosse, chasse la peste de Rome, demande l'érection d'un sanctuaire sur le Mont Tombe, (qui deviendra l'abbaye du Mont Saint Michel), soutient Charlemagne et devient le saint patron et prince du Royaume, à qui tous les rois de France sont désormais consacrés. Enfin, il apparait à Jeanne d'Arc et l'assure de la victoire dans tous ses combats. Les miracles obtenus par son intercession sont innombrables. Vous ne le connaissez pas. Laissez-vous émerveiller par la découverte du Grand Archange.

Du même auteur Sainte Rita, dernier secours des causes désespérées. Saint Benoît, sa puissance écartera le mal et vous protégera. Saint Antoine, le plus invoqué parmi les saints.

An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages. The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose thenarrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston.