Saint Thecla

This volume questions the prevailing 'female empowering' interpretation of Thecla in the Acts of Paul and Thecla. Rosie Andrious examines the way that Thecla is voyeuristically paraded and subjected to a kind of sado-erotic torture, and demonstrates how this perception clashes with any notion that she is presented as a positive role-model for a woman. Rather, Andrious sets this discourse about female 'self-control' and 'chastity' over against the wider narrative of Christian men struggling against the invasive violence of Rome and suggests that the victimized, voyeuristic female representation of Thecla has very little to do with women and is, rather, a complex literary text that represents a power struggle between men. The ideological function of Thecla is therefore, as a constructed body that transcends its 'natural' feminine weakness. Andrious thus provides an original interpretative framework for understanding Thelca's representation, and suggests a completely new way of seeing the saint.

Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' among Christians in late antiquity. In the early church, Thecla's example was associated with the piety of women - in particular, with women's ministry and travel. Devotion to Saint Thecla quickly spread throughout the Mediterranean world: her image was painted on walls of tombs, stamped on clay flasks and oil lamps, engraved on bronze crosses and wooden combs, and even woven into textile curtains. Bringing together literary, artistic, and archaeological evidence, often for the first time, Stephen Davis here reconstructs the cult of Saint Thecla in Asia Minor and Egypt - the social practices, institutions, and artefacts that marked the lives of actual devotees. From this evidence the author shows how the cult of this female saint remained closely linked with communities of women as a source of empowerment and a cause of controversy.

"Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' among Christians in late antiquity. In the early church, Thecla's example was associated with the piety of women - in particular, with women's ministry and travel. Devotion to Saint Thecla quickly spread throughout the Mediterranean world: her image was painted on walls of tombs, stamped on clay flasks and oil lamps, engraved on bronze crosses and wooden combs, and even woven into textile curtains. Bringing together literary, artistic, and archaeological evidence, often for the first time, Stephen Davis here reconstructs the cult of Saint Thecla in Asia Minor and Egypt - the social practices, institutions, and artefacts that marked the lives of actual devotees. From this evidence the author shows how the cult of this female saint remained closely linked with communities of women as a source of empowerment and a cause of controversy."--Jacket.

Saint Thecla was one of the most prominent figures of early Christianity who provided a model of virginity and a role-model for women in the early Church. She was the object of cult and of pilgrimage and her tale in the Acts of Paul and Thecla made a tremendous impact on later hagiographies of both female and male saints. This volume explores this impact on medieval hagiographical texts composed in Armenian, Coptic, Ethiopic, Greek, Irish, Latin, Persian, and Syriac. It investigates how they evoked and/or invoked Thecla and her tale in constructing the lives and story worlds of their chosen saints and offers detailed original readings of the lives of various heroines and heroes. The book adds further depth and nuance to our understanding of Thecla's popularity and the spread of her legend and cult.

Thecla was one of the most venerated saints in late antiquity. One of her followers created the Life of Thecla as an act of devotion in the fifth century, rewriting the popular Acts of Thecla and transforming it into the heroic saga of a saint. Replete with long speeches, dramatic flourishes, and literary flamboyance, the Life of Thecla gives modern readers insight into the ways a gender-bending apostolic saint could be reframed and reimagined for later audiences. This first modern English translation of the Life explores its relationship with the earlier Acts as well as its place in fifth-century concerns about miracles, healing, sainthood, and sexuality.

Explores Saint Thecla and her story as preeminent models for medieval hagiographers across Eurasia and North Africa.

This volume questions the prevailing 'female empowering' interpretation of Thecla in the Acts of Paul and Thecla. Rosie Andrious examines the way that Thecla is voyeuristically paraded and subjected to a kind of sado-erotic torture, and demonstrates how this perception clashes with any notion that she is presented as a positive role-model for a woman. Rather, Andrious sets this discourse about female 'self-control' and 'chastity' over against the wider narrative of Christian men struggling against the invasive violence of Rome and suggests that the victimized, voyeuristic female representation of Thecla has very little to do with women and is, rather, a complex literary text that represents a power struggle between men. The ideological function of Thecla is therefore, as a constructed body that transcends its 'natural' feminine weakness. Andrious thus provides an original interpretative framework for understanding Thelca's representation, and suggests a completely new way of seeing the saint.

The Life and Miracles of Thekla offers a unique view on the reception of classical and early Christian literature in Late Antiquity. This study examines the Life and Miracles as an intricate example of Greek writing and attempts to situate the work amidst a wealth of similar literary forms from the classical world. The first half of the Life and Miracles is an erudite paraphrase of the famous second-century Acts of Paul and Thekla. The second half is a collection of forty-six miracles that Thekla worked before and during the composition of the collection. This study represents a detailed investigation into the literary character of this ambitious Greek work from Late Antiquity.