Saksaha

A Translucent Mirror explores the origins of nationalism and cultural identity in China, revealing how the Qing dynasty incorporated neighbouring but disparate political traditions into a new style of imperialism.

This collection of papers presented at the 62nd Annual Meeting of the Permanent International Altaistic Conference explores the complex relations of religion and state in history, language and society of Altaic cultures, reflecting the unique interdisciplinary approach of the PIAC. It examines aspects of shamanism, religious belief, totemism and religious influences on contracts in historical literary monuments as well as in contemporary sources.

Gregory Afinogenov explores centuries of Russian spying and scholarship on the Far East. He argues that the approaches the empire took are closely related to its leaders' perception of Russia's place in the world. Espionage gave way to public-facing, academic study, as Russia sought to outdo Britain in a global contest for imperial prestige.

The history of China, as any history, is a story of and in translation. Translating Early Modern China tells the story of translation in China to and from non-European languages and Latin between the fourteenth and the nineteenth centuries, and primarily in the Ming and Qing dynasties. Each chapter finds a particular translator resurrected from the past to tell the story of a text that helped shape the history of translation in China. In Chinese, Mongolian, Manchu, Latin, and more, these texts helped to make the Chinese language what it was at different points in its history. This volume explores what the form of an academic history book might look like by playing with fictioning as part of the historian's craft. The book's many stories—of glossaries and official Ming translation bureaus, of bilingual Ming Chinese-Mongolian language primers, of the first Latin grammar of Manchu, of a Qing Manchu conversation manual, of a collection of Manchu poems by a Qing translator—serve as case studies that open out into questions of language and translation in China's past, of the use of fiction as a historian's tool, and of the ways that translation creates language.