Salishan Tribes Of The Coast The Chimakum And The Quilliute The Willapa

"[A] comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions. The value of such a work, in great measure, will lie in the breadth of its treatment, in its wealth of illustration, and in the fact that it represents the result of personal study of a people who are rapidly losing the traces of their aboriginal character and who are destined ultimately to become assimilated with the 'superior race.' It has been the aim to picture all features of the Indian life and environment--types of the young and the old, with their habitations, industries, ceremonies, games, and everyday customs ... Though the treatment accorded the Indians by those who lay claim to civilization and Christianity has in many cases been worse than criminal, a rehearsal of these wrongs does not properly find a place here"--General introduction.

Edward S. Curtis: Visions of the First Americans is a tribute to the photographer, his work, but above all to the Native Americans he photographed. Chapters on many different Native American tribes make this collection unique. Edward Curtis's recognizable style, saturated with sepia, is immediately recognizable. He captures not only the striking faces of his subjects, but also a glimpse into the lifestyle of each Native American tribe he photographed. Women grind corn, and communities gather outside their traditional living areas. Atop horses, Native Americans ride on the prarie. Papooses are bundled in woven carrying packs, and men are dressed in full feathered regalia. These images paint a picture, known to us now only as a historical memory. Many tribes are featured in this volume, from the familiar Apache and Navaho to lesser-known tribes. This book will draw in readers who are interested in world cultures, along with photography buffs and historians. This hardcover volume is a wonderful addition to any library.

For millennia, Native artists on Olympic Peninsula, in what is now northwestern Washington, have created coiled and woven baskets using tree roots, bark, plant stems—and meticulous skill. From the Hands of a Weaver presents the traditional art of basket making among the peninsula’s Native peoples—particularly women—and describes the ancient, historic, and modern practices of the craft. Abundantly illustrated, this book also showcases the basketry collection of Olympic National Park. Baskets designed primarily for carrying and storing food have been central to the daily life of the Klallam, Twana, Quinault, Quileute, Hoh, and Makah cultures of Olympic Peninsula for thousands of years. The authors of the essays collected here, who include Native people as well as academics, explore the commonalities among these cultures and discuss their distinct weaving styles and techniques. Because basketry was interwoven with indigenous knowledge and culture throughout history, alterations in the art over time reflect important social changes. Using primary-source material as well as interviews, volume editor Jacilee Wray shows how Olympic Peninsula craftspeople participated in the development of the commercial basket industry, transforming useful but beautiful objects into creations appreciated as art. Other contributors address poaching of cedar and native grasses, and conservation efforts—contemporary challenges faced by basket makers. Appendices identify weavers and describe weaves attributed to each culture, making this an important reference for both scholars and collectors. Featuring more than 120 photographs and line drawings of historical and twentieth-century weavers and their baskets, this engaging book highlights the culture of distinct Native Northwest peoples while giving voice to individual artists, masters of a living art form.

On the Northwest Coast in antiquity, an estimated 85 percent of objects were made entirely from materials that normally do not survive the ravages of time. Fortunately, the region’s wetlands, silt-laden rivers, high groundwater levels, and abundant rainfall provide ideal conditions for long-term preservation of waterlogged wood. Few archaeologists intentionally search for them, yet every Northwest Coast archaeologist may encounter waterlogged cultural remains--even inland, away from the coast. Those who investigate can uncover artifacts, structures, and environmental remains missing from the usual reconstructions of past lifeways. Currently, wet-site archaeology is not widely taught at North American universities. Waterlogged helps bridge that gap. Sixteen archaeologists who work on the Northwest Coast discuss their research in regional and global perspectives, share highlights of their findings, provide guidance on how to locate wet sites, and outline procedures for recovering and caring for perishable waterlogged artifacts. The volume offers practical information about logistics, equipment, and supplies, including a wet-site field kit list. Waterlogged presents previously unpublished original research spanning the past ten thousand years of human presence on the Northwest Coast. Examples include the first fish trap features in the region to be identified as longshore weirs, a complete 750-year-old basket cradle from the lower Fraser Valley, wooden self-armed fishhooks from the Salish Sea, and a paleoethnobotanical study at the 10,500-year-old Kilgii Gwaay wet site on Haida Gwaii. Contributors also discuss insider-vs.-outsider perceptions of wetlands in Cowichan traditional territory on Vancouver Island, a habitation site in a disappearing wetland in the Fraser Valley, a collaborative project on the Babine River in the Fraser Plateau, and Early and Middle Holocene waterlogged materials from British Columbia’s central coast.

Photographer Edward S. Curtis was a prolific photographer and recorder of Native American culture. This is a collection of his most moving, cultural portraits.