Samson Hero Or Fool

Samson is a peculiar character. He is the most powerful of the Israelite judges and three whole chapters in the book of Judges are allocated to him. Yet he demonstrates many weaknesses, not least for the charms of women. In the international conference “Samson: Hero or Fool?” organised at the University of Nijmegen in April, 2008, the texts of Judges 16-18 were studied from different perspectives, investigating how the complex character of this (anti)hero lived on in various ways in the later traditions about him. The contributions discuss also the reception history of the Samson traditions in later Jewish, Christian and Islamic literature, as well as his representation in figurative and performing arts

Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks. Catherine Léglu explores the narrative’s translation into French in medieval England, examining the multiple versions of the Samson narrative via its many adaptations into verse, prose, visual art and musical. Utilizing a multidisciplinary approach, this text draws together examples from several genres and media, focusing on the importance of book learning to secular works. In analysing this Biblical narrative, Léglu reveals the importance of the Samson and Delilah story as a point of entry into a fuller understanding of medieval translations and adaptations of the Bible.

Judges is a book for our time. It forces readers to come face to face with the way that faith speaks into the situations we encounter and read about in our newsfeeds. Warfare, authoritarianism, sexual exploitation, tribalism—these are a few of the repercussions from not having our social order oriented toward God. In this commentary David Beldman expounds the story of God and Israel that unfolds in the book of Judges, highlighting the vital message it speaks to contemporary Christians who strive to live lives of integrity and undivided loyalty to Jesus under the constant pressure of the idols of twenty-first-century culture.

Power and Identity at the Margins of the Ancient Near East rethinks the dichotomy between antiquated terms such as “core” and “periphery,” explores lived realities in the margins of central authority, and centers those margins as places of resistance and power in their own right. The borderlands of hegemonic entities within the Near East and Egypt pressed against each other, creating cities and societies with influence from several competing polities. The peoples, cities, and cultures that resulted present a unique lens by which to examine how states controlled and influenced the lives, political systems, and social hierarchies of these subjects (and vice versa). This volume addresses the distinct traditions and experiences of areas beyond the core; terminology used when discussing empire, core, periphery, borderlands, and frontiers; conceptualization of space; practices and consequences of warfare, captive-taking, and slavery; identity- and secondary state–formation; economy and society; ritual; diplomacy; and the negotiation of claims to power. It is imperative that historians and social scientists understand the ways in which these cultures developed, spread, and interacted with others along frontier edges. Using an intersectional approach across disciplines, Power and Identity at the Margins of the Ancient Near East brings together professionals from archaeology, religious studies, history, sociology, and anthropology to make new contributions to the study of the frontier. Contributors: Alexander Ahrens, Peter Dubovský, Avraham Faust, Daniel E. Fleming, Mahri Leonard-Fleckman, Alvise Matessi, Ellen Morris, Valeria Turriziani, Eric M. Trinka

One particularly challenging aspect of the Hebrew Bible is its treatment of various forms of voluntary death: suicide, suicide attack, martyrdom, and self-sacrifice. How can people of faith make sense of the ways biblical literature at times valorizes these sensitive and painful topics? Willingness to Die and the Gift of Life surveys a diverse selection of Hebrew Bible narratives that feature characters who express a willingness to die, including Moses, Judah, Samson, Esther, Job, Daniel, and the “suffering servant” of Isaiah 53. The challenging truth uncovered is that the Hebrew Bible, while taking seriously the darker aspects of voluntary death, nevertheless time and again valorizes the willingness to die—particularly when it is for the sake of the group or in faithful commitment to God. Many biblical authors go so far as to suggest that death willingly embraced can unlock immense power: endowing the willing with the charism necessary to lead, opening the possibility of salvation, and even paving the way for resurrection into a new, more glorious life. Paul K.-K. Cho’s unflinching analysis raises and wrestles with provocative questions about religious extremism, violent terrorism, and suicidal ideation —all of which carry significant implications for the biblically grounded life of faith today. Cho carefully situates the surveyed texts in their original cultural context, discussing relevant topics such the shame and honor culture of ancient Israel and the importance attached to the group over the individual. Closing with an epilogue that reflects on the surprising issue of whether biblical authors considered God to be capable of dying or being willing to die, Cho’s fascinating study showcases the multifaceted relationship between death and life in the Hebrew Bible.

Before Harriet Tubman or Martin Luther King was identified with Moses, African Americans identified those who challenged racial oppression in America with Samson. In Black Samson: The Untold Story of an American Icon, Nyasha Junior and Jeremy Schipper tell the story of how this biblical character became an icon of African American literature. Along the way, Schipper and Junior introduce readers to a cast of historical characters -- many of whom became American icons themselves -- including Fredrick Douglass, Ida B. Wells, Richard Wright, Ralph Ellison, James Baldwin, Malcolm X, Huey P. Newton and others. From stories of slave rebellions to the Harlem Renaissance to the civil rights era and the Black Power movement, invoking the biblical character of Samson became a powerful way for African American intellectuals, activists, and artists to voice strategies and opinions about race relations in America. As this provocative book reveals, the story of Black Samson became the story of our nation's contested racial history.

Art as Biblical Commentary is not just about biblical art but, more importantly, about biblical exegesis and the contributions visual criticism as an exegetical tool can make to biblical exegesis and commentary. Using a range of texts and numerous images, J. Cheryl Exum asks what works of art can teach us about the biblical text. 'Visual criticism' is her term for an approach that addresses this question by focusing on the narrativity of images-reading them as if, like texts, they have a story to tell-and asking what light an image's 'story' can shed on the biblical narrator's story. In Part I, Exum elaborates on her approach and offers a personal testimony to the value of visual criticism. Part 2 examines in detail the story of Hagar in Genesis 16 and 21. Part 3 contains chapters on erotic looking and voyeuristic gazing in the stories of Bathsheba, Susanna, Joseph and Potiphar's wife and the Song of Songs; on the distribution of renown among Jael, Deborah and Barak; on the Bible's notorious women, Eve and Delilah; and on the sacrificed female body in the stories of the Levite's wife (Judges 19) and Mary the mother of Jesus.