San Diego S Hybrid Urban Borderlands

This study aims for a wider understanding of the redevelopment processes that emerged several decades ago in downtown San Diego and now gradually spread over the downtown edges into the inner ring. Perspectively situated in the fields of urban landscape and urban border studies, the research project outlines how the eastward ‘redevelopment wave’ in San Diego contests socialized neighborhood (boundary) perceptions by transforming the former first-tier suburbs from disinvested communities into ‘urban villages’ and trendy places to be. The study shows how the redevelopment perforates, dissolves, and shifts socialized, linear neighborhood boundaries into areas that are simultaneously part of the one and the other neighborhood. In the present work, the resulting, rather undefined or stretched border areas have been referred to as hybrid urban borderlands. This notion is a novel conceptual approach that can be deemed a promising lens for future studies on neighborhood change, urban redevelopment, and socio-spatial re-interpretation beyond the context of San Diego.

Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts—corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldívar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldívar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldívar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself.

* Anne Boddington * Eric Holding * Charles Parrack * David Baird and W Eirik Heintz * Jesse Lerner * Luis Carranza * Katherine Shonfield * Jane C Loeffler * Mike Davis and Alessandra Moctezuma * Uliss Diaz and Gustavo Leclerc * Teddy Cruz * Anuradha Mathur * James Corner * Paul Andreu * Sally Yard * S Avedano, D Murphy and A Old * Lebbeus Woods * Catherine Opie * Manuel Delanda * Kyong Park * Mark Rotond * Neil Denari * Ben Stringer and Peter Barber * Michael Speaks * Practice Profile: Hariri & Hariri

In the late nineteenth century the United States oversaw a great increase in extraterritorial claims, boundary disputes, extradition controversies, and transborder abduction and interdiction. In this sweeping history of the underpinnings of American empire, Daniel S. Margolies offers a new frame of analysis for historians to understand how novel assertions of legal spatiality and extraterritoriality were deployed in U.S. foreign relations during an era of increased national ambitions and global connectedness. Whether it was in the Mexican borderlands or in other hot spots around the globe, Margolies shows that American policy responded to disputes over jurisdiction by defining the space of law on the basis of a strident unilateralism. Especially significant and contested were extradition regimes and the exceptions carved within them. Extradition of fugitives reflected critical questions of sovereignty and the role of the state in foreign affair during the run-up to overseas empire in 1898. Using extradition as a critical lens, Spaces of Law in American Foreign Relations examines the rich embeddedness of questions of sovereignty, territoriality, legal spatiality, and citizenship and shows that U.S. hegemonic power was constructed in significant part in the spaces of law, not simply through war or trade.

Theatre of the Borderlands: Conflict, Violence, and Healing is an enlightening and encompassing study that focuses on how dramatists from the Northern Mexico border territories write about theater. The plays analyzed in this study are representative of the most important Northern Border playwrights whose plays’ themes present the US-Mexico Borderlands in a socio-historical and political context. The most important themes observed include topics that engage in discussions of: the indigenous, Border crossings, heroes and folk saints, the city of Tijuana, and violence in the Borderlands, to name a few. These themes have led to the birth of the Teatro del Norte movement, a group of determined playwrights insistent on presenting dramaturgical themes that show the bond between their particular geographies, histories, socio-political and economic situations, thereby giving birth to an original voice and new aesthetic of representation. Dealing with the topics already mentioned, and pairing them with more timely ones like immigration reform, namely, this study can serve as an invaluable resource to many interdisciplinary academic settings, and can grant an eye-opening insight to Border relations through several critical readings.

Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, featuring selections by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico.