San Francisco And The Long 60s

San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/

San Francisco in the Sixties, the Summer of Love, the birth of the hippies, experience it for yourself in San Fran 60s, a collection of autobiographical short stories. San Francisco in the Sixties was the epicenter of the biggest cultural transformation of the second half of the Twentieth Century, and of course it has had its histories and memoirs, but this is the only time a participant has used the devices of literary fiction to put you there, living it. San Fran 60s is darker, edgier, and more intimate than anything on the subject before. In addition to sex, drugs, and rock 'n roll, there is murder, madness, and God. One of the murders officially ends the Summer of Love. William Burroughs and Janis Joplin make an appearance, as does Jim Morrison in the sequel More San Fran 60s. And it all really happened. The stories are based on my journals and experiences and there is less invention than in many memoirs. I have lived in and around San Francisco since 1965 and present myself, friends, and acquaintances as prime specimens. In the Sixties and Seventies, I was a free lance journalist, among other things. Now I am a retired English teacher. LSD and free love, Haight-Ashbury and the Hell's Angels, the Hip and the Straight, it's all here. One of these stories is a present-tense, stream-of-expanded-consciousness stroll the length of Haight Street at the height of the Summer of Love. In another, three dealers driving through the night on LSD taking LSD to LA must contend with rednecks at a truck stop as well as their own demons. In another, a college love affair beset by an outraged husband and a predatory junkie culminates in a night of sex on LSD. And one story, with a legendary junkie burn artist and armed robbery between dealers, culminates in a meeting with William Burroughs. The longest story has two murders and ends in the mental hospital.All of the stories are interconnected but each is also self-contained so they can be read in any order.

DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.

The 1950s, 60s, and 70s were defining moments in our nation's history, and San Francisco was at the forefront of the avant-garde artistic, intellectual, and cultural movements of the time. The city gave rise to the most significant countercultural revolutions of the century, including the Beatniks of the 1950s, the hippies in the 1960s, and the gay rights movement in the 1970s. With a selection of fine historic images from her bestselling book Historic Photos of San Francisco in the 50s, 60s, and 70s, Rebecca Schall captures in this companion volume, Remembering San Francisco in the 50s, 60s, and 70s, the revolutionary and tumultuous spirit of these historic times in stunning black-and-white photography.

As the fiftieth anniversary of the Summer of Love floods the media with debates and celebrations of music, political movements, “flower power,” “acid rock,” and “hippies,”The Explosion of Deferred Dreams offers a critical reexamination of the interwoven political and musical happenings in San Francisco in the Sixties. Author, musician, and native San Franciscan Mat Callahan explores the dynamic links between the Black Panthers and Sly and the Family Stone, the United Farm Workers and Santana, the Indian Occupation of Alcatraz and the San Francisco Mime Troupe, and the New Left and the counterculture. Callahan’s meticulous, impassioned arguments both expose and reframe the political and social context for the San Francisco Sound and the vibrant subcultural uprisings with which it is associated. Using dozens of original interviews, primary sources, and personal experiences, the author shows how the intense interplay of artistic and political movements put San Francisco, briefly, in the forefront of a worldwide revolutionary upsurge. A must-read for any musician, historian, or person who “was there” (or longed to have been), The Explosion of Deferred Dreams is substantive and provocative, inviting us to reinvigorate our historical sense-making of an era that assumes a mythic role in the contemporary American zeitgeist.

In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.

Discover the enthralling world of Ralph J. Gleason, a pioneering music journalist who expanded the possibilities of the newspaper music column, sparked the San Francisco jazz and rock scenes, and co-founded Rolling Stone magazine. Gleason not only reported on but influenced the trajectory of popular music. He alone chronicled the unparalleled evolution of popular music from the 1930s into the 1970s, and while doing so, interviewed and befriended many trailblazers such as Miles Davis, Dizzy Gillespie, Bob Dylan, and the Beatles. A true iconoclast, he dismantled the barriers between popular and highbrow music, and barriers separating the musical genres. He played a crucial role in shaping postwar music criticism by covering all genres and analyzing music's social, political, and historical meanings. This book uncovers never-before-seen letters, anecdotes, family accounts, and exclusive interviews to reveal one of the most intriguing personalities of the 20th century.

The San Francisco Bay Area was a meeting point for radical politics and counterculture in the 1960s. Until now there has been little understanding of what made political culture here unique. This work explores the development of a regional culture of radicalism in the Bay Area, one that underpinned both political protest and the counterculture.