Sand In The Wind

A Vietnam War Novel focusing on I Corps and the Marines who fought there.

Drawn by troubling dreams of a handsome Indian Warrior, Colleen Merrill had come westward with her brutal husband to homestead in the Montana wilderness--only to fall in love with Lieutenant Matthew Douglas, a dashing U.S. Cavalry officer. Wounded Bear, a young Cheyenne warrior and medicine man, had been told in a vision by the great spirit--wolf that a golden-haired woman held the power to save his people from invasion. As the drums of war beat every louder, Wounded Bear knew he must find this woman, or the Cheyenne would be scattered--like grains of sand in the wind. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From individual grains to desert dunes, from the bottom of the sea to the landscapes of Mars, and from billions of years in the past to the future, this is the extraordinary story of one of nature's humblest, most powerful, and most ubiquitous materials. Told by a geologist with a novelist's sense of language and narrative, Sand examines the science—sand forensics, the physics of granular materials, sedimentology, paleontology and archaeology, planetary exploration—and at the same time explores the rich human context of sand. Interwoven with tales of artists, mathematicians, explorers, and even a vampire, the story of sand is an epic of environmental construction and destruction, an adventure in staggering scales of time and distance, yet a tale that encompasses the ordinary and everyday. Sand, in fact, is all around us—it has made possible our computers, buildings and windows, toothpaste, cosmetics, and paper, and it has played dramatic roles in human history, commerce, and imagination. In this luminous, kinetic, revelatory account, we do indeed find the world in a grain of sand.

Mechanics plays a fundamental role in aeolian processes and other environmental studies. This proposed book systematically presents the new progress in the research of aeolian processes, especially in the research on mechanism, theoretical modelling and computational simulation of aeolian processes from the viewpoint of mechanics. Nowadays, environmental and aeolian process related problems are attracting more and more attention. We hope this proposed book will provide scientists and graduate students in aeolian research and other environmental research some mechanical methods and principles and introduce aeolian related problems of environment to mathematical and mechanical scientists.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next. Welcome to the world of Sand, a novel by New York Times best-selling author Hugh Howey. Sand is an exploration of lawlessness, the tale of a land ignored. Here is a people left to fend for themselves. Adjust your ker and take a last, deep breath before you enter.

The Oprah Book Club selection for November 2000.

The massacre of Cheyenne and Arapaho women and children by U.S. soldiers at Sand Creek in 1864 was a shameful episode in American history, and its battlefield was proposed as a National Historic Site in 1998 to pay homage to those innocent victims. Poet Simon Ortiz had honored those people seventeen years earlier in his own way. That book, from Sand Creek, is now back in print. Originally published in a small-press edition, from Sand Creek makes a large statement about injustices done to Native peoples in the name of Manifest Destiny. It also makes poignant reference to the spread of that ambition in other parts of the world—notably in Vietnam—as Ortiz asks himself what it is to be an American, a U.S. citizen, and an Indian. Indian people have often felt they have had no part in history, Ortiz observes, and through his work he shows how they can come to terms with this feeling. He invites Indian people to examine the process they have experienced as victims, subjects, and expendable resources—and asks people of European heritage to consider the motives that drive their own history and create their own form of victimization. Through the pages of this sobering work, Ortiz offers a new perspective on history and on America. Perhaps more important, he offers a breath of hope that our peoples might learn from each other: This America has been a burden of steel and mad death, but, look now, there are flowers and new grass and a spring wind rising from Sand Creek.

To my readers: I hope that my last words and my last chapter have not yet been written. But the muse is an independent spirit. She visits me without warning and she is inclined to leave in the same way. My poems begin during my years at Yale University. Thereafter certain poems express reflections during my travels to many countries. A few poems I wrote in Spanish. They are followed by their English translations. Many later poems attempt to reveal the nature of Time. -Francis Hartley, IV "You have a gift for capturing moving insights in-exactly-the right amount and choice of words that, I think, would stir envy in many of the best-known writers in the history of this language... I have since worked hard to increase the density of my writing, in an attempt to come closer to the magnificent intensity and sense of mood, as well as oneness of "message and letter," which you can bring off with bewildering perfection." Niall MacKenzie Ottawa, Ontario "A fascinating American life expressed in poetry, 1962-2012." "Metaphors are drawn from nature, birds and animals, to illustrate the human condition." "Reflective and philosophical with elements of humor and wisdom."