Sartrean Dialectics

This book presents a modification of the dialectical method of Jean-Paul Sartre as a tool for critical discourse on aesthetic experience. Three practical demonstrations are offered of the modified progressive-regressive method: (1) on the original location and function of a medieval altarpiece, (2) on a theme in the literature of the Marquis de Sade, and (3) on a theory of consciousness in a novel by Samuel Beckett. The study concludes with guidelines on how the method may enhance critical discourse in teaching.

Sartre’s Critique of Dialectical Reason ranks with Being and Nothingness as a work of major philosophical significance, but it has been largely neglected. The first volume, published in 1960, was dismissed as a Marxist work at a time when structuralism was coming into vogue; the incomplete second volume has only recently been published in France. In this commentary on the first volume, Joseph S. Catalano restores the Critique to its deserved place among Sartre’s works and within philosophical discourse as a whole. Sartre attempts one of the most needed tasks of our times, Catalano asserts—the delivery of history into the hands of the average person. Sartre’s concern in the Critique is with the historical significance of everyday life. Can we, he asks, as individuals or even collectively, direct the course of our history? A historical context for our lives is given to us at birth, but we sustain that context with even our most mundane actions—buying a newspaper, waiting in line, eating a meal. In looking at history, Sartre argues, reason can never separate the historical situation of the investigator from the investigation. Thus reason falls into a dialectic, always depending upon the past for guidance but always being reshaped by the present. Clearly showing the influence of Marx on Sartre’s thought, the Critique adds the historical dimension lacking in Being and Nothingness. In placing the Critique within the corpus of Sartre’s philosophical writings, Catalano argues that it represents a development rather than a break from Sartre’s existentialist phase. Catalano has organized his commentary to follow the Critique and has supplied clear examples and concrete expositions of the most difficult ideas. He explicates the dialogue between Marx and Sartre that is internal to the text, and he also discusses Sartre’s Search for Method, which is published separately from the Critique in English editions.

Focusing on the notion of the subject in Sartre's and Adorno's philosophies, David Sherman argues that they offer complementary accounts of the subject that circumvent the excesses of its classical formation, yet are sturdy enough to support a concept of political agency, which is lacking in both poststructuralism and second-generation critical theory. Sherman uses Sartre's first-person, phenomenological standpoint and Adorno's third-person, critical theoretical standpoint, each of which implicitly incorporates and then builds toward the other, to represent the necessary poles of any emancipatory social analysis.

Volume Two of Sartre's intellectual masterpiece, introduced by Fredric Jameson.

Based on the latest debate on Jean-Paul Sartre’s works on ethics and politics, this book examines the relevancy and importance Sartre holds for contemporary concerns – the reactionary nature of terrorism, the extremity of counter-violence, and limitations of democratization efforts in our post-9/11 era – all claiming the name of ‘freedom’ and ‘liberation’. It presents a different version of the ‘violent Sartre’, which was presented recently as militant and supportive of terrorism by critics who were concerned with the terrorist nature of his writings. Sartre in this project is reconstructed as a philosopher who, although gave importance to the notion of ‘violence’ in his politics, was actually more concerned with containing violent means within morally excusable limits. He is presented as both a realist who understood the inevitability of ‘dirty hands’ in political struggles and also an absolutist against terrorism; he considered wars that derailed from their purported ends of freedom as morally condemnable. Arguing for the need for moral limitations to all violent struggles, and the need for seeing others as ends-for-themselves, this project outlines an existential response needed to help us reaffirm our moral compass through the invention of existential humanist ethics.

During the Algerian War Jean-Paul Sartre reappraised his own philosophical and political thought and wrote it up as a critique of dialectical reason. In this first volume of his writings a new introduction has been added by Frederic Jameson.

There are perpetual debates about the extent of freedom in politics. Are we free to choose? Are we overdetermined by our material conditions? Some hybrid between the two? What is more, how are we to comprehend ourselves as creators of history if freedom itself is a problematic concept? And what would it mean if self-comprehension were foreclosed by this problematic? In this text, Austin Hayden Smidt analyzes an oft-overlooked text by Jean-Paul Sartre in order to ground a logical framework for exploring this paradox. In Critique of Dialectical Reason, Sartre sought to develop an historical and structural heuristic; one that would enable future theorists and activists alike to assess the pressing problems facing the various milieux of capitalist life. Through this heuristic, his intent was to develop an orientation enabling humans to transform their world in their perpetual creation of themselves (and vice versa). However, the stylistic difficulties of the text, as well as a general agreement among previous interpreters, has prevented the richness of the investigation from taking root. This book sets a new course, and invites further collaboration as – together – we create society as a work of art.