Satires

Commonly considered the greatest of Roman satirical poets, Juvenal is the author of sixteen satires of Roman society, notable for their pessimism and ironic humor. In this new translation of the Satires, Professor Rudd combines textual accuracy with colorful poetry, vividly conveying Juvenal's gift for evoking a wealth of imagery with a few economical phrases. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 3) prescription of Juvenal, Satire 6 and the A-Level (Group 4) prescription of Satires 14 and 15, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Juvenal was the last and the greatest of the Roman verse satirists and his poetry gives us an exuberant and outrageously jaundiced view of the early Roman Empire. This book contains a selection from three of his satires: Satire 6 attacks women and marriage, Satire 14 critiques the role played by parents in the education of children and Satire 15 describes all too vividly the cannibalism perpetrated by warring Egyptians. These Satires expose the folly and the wickedness of the world in some of the finest Latin to have survived from antiquity. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

This is the first intermediate-student edition of a selection from Horace's Satires. Satire 1.1 lines 1–12, 28–100, Satire 1.3 lines 25–75 and Satire 2.2 lines 1–30, 70–111 are included as Latin text with an accompanying commentary and vocabulary. Focusing on a deliberately limited number of poems, this edition is designed to be manageable for students reading the text for the first time while also perfectly encapsulating the interest of Horace's other work and inspiring further study of it. A detailed introduction explains points of historical and stylistic interest. 'Telling the truth with a smile' is the way Horace describes his approach to satire in this, his first published poetry. The poems in this collection discuss universal ideas of how we should live our lives simply with regard to money, ambition, food and friendship and how to live contented with what nature provides rather than always yearning for more. The poet does this in a manner which is light but not flippant, always entertaining and powerfully moving at the same time.

An interesting collection of Hardy's poems published in 1914. It is a classic example of poetic language and melodious phrases. It reflects his views on British colonialism and current events of that age.

"Reprint, with minor correction, of the first edition first published 1980 by the Athlone Press, London, UK"-- t.p. verso.

An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.