Savage Breast

THE DA VINCI CODE tapped a deep fascination for the sacred feminine hidden at the heart of Christianity. Best-selling author Tim Ward digs deeper into this mystery, propelling the reader into the pre-Christian Goddess religions of the Mediterranean. Ward confronts tough questions * Are men threatened by the innate power of the feminine? * Why do men abuse, rape, and dominate women? Shouldnt loving relationships with the opposite sex be natural and easy? * Did we all lose an essential part of ourselves when we turned our back on the feminine divine? * How would opening to the feminine face of God help men resolve their issues with women? * What would it take for men to really let go of patriarchy and genuinely accept women as equals?To answer these questions, Ward decided to seek out the Goddess, with his own demons in tow. Over a period of three years he travelled to the ruined temples and shrines of the Goddess in the cradles of Western Civilization. At each he encountered one aspect of the many faces of the Goddess. He vividly recreates the experience of ancient believers the Eleusinian Mysteries of Demeter, the sexual rites of the priestesses of Aphrodite, and a human sacrifice on a mountaintop shrine in Crete. And in Turkey he sits at the feet of the many-breasted Artemis of Ephesus, whose rioting followers once threatened to kill the Apostle Paul. Facing the Goddess unleashes turbulent emotions for Ward. With frank honesty he describes the traumas that erupt in his relationship with the woman he loves, who accompanied him on many of his journeys.

Debra Balmont Sadder was the prodigal daughter of a millionaire. She was devoted to spending money, pampering her beautiful body, and looking for kicks on the wrong side of town. Her plush bayside apartment cost hundreds. Getting rid of her smug blond husband would cost even more. Bored, passionate, eager for a new plaything, she was ripe for the taking. What she didn’t know was that the man she picked couldn’t be bought, and that he held the key to a world of thrills so weird and wild that she hadn’t even imagined it existed...

A pathbreaking introduction to eighteenth-century metaphors of the mind that recasts the grand narrative of the Enlightenment in terms of its tropes and figures. An encyclopedic dictionary along the lines of Voltaire’s classic Dictionnaire Philosophique, Metaphors of Mind provides an in-depth look at the myriad ways in which Enlightenment writers used figures of speech to characterize the mind. Drawn from Brad Pasanek’s massive online archive, http://metaphorized.net, this volume constitutes a veritable treasury of mental metaphorics. Dividing the book into eleven broad metaphorical categories—Animals, Coinage, Court, Empire, Fetters, Impressions, Inhabitants, Metal, Mirror, Rooms, and Writing—Pasanek maps out constellations of metaphors. He frames his collection of literary excerpts in each section with a more descriptive and theoretical discussion of what he calls “desultory reading,” a form of unsystematic perusal of writing frequently employed by Enlightenment thinkers. By surveying the printed past alongside the digital present, the book treats eighteenth-century writing as its topic while essentially exemplifying its rhetorical approach. More than an exercise in quotation, this intellectual history offers illuminating readings of fragmentary literary works and confrontations with neoclassical and contemporary theories of metaphor. The book’s entries complicate received ideas about Locke’s blank slate, question M. H. Abrams’ claims about mirrors and lamps, and chart changing frequencies of metal metaphors in a moment of industrial revolution. The book also responds to current anxieties about reading and the mass digitization of literature, touching on recent discussions of “distant reading,” “shallow reading,” and “surface reading.” Promoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.

A fascinating collection of predictions for the end-times in the year 2000 The Year 2000 is at hand. The end of the millennium means many things to many people, but it has significance for almost everyone. A thousand years ago, monks stopped copying manuscripts and religious building projects came to a halt as panic swept Europe. Today, anxiety about global warming, government power, superviruses, even recycling, is on some level rooted in the fear of irreversible cataclysm. In a landscape shadowed by racial conflict, technological upheaval, AIDS, and nuclear weapons, we reasonably fear the end of history. 2000 looms large in our religious, political, and cultural imagination. But while 2000 brings dread it also raises the prospect of transformation. There is hope to be found in the apocalyptic. This panoramic volume explores how the Year 2000 operates in contemporary political discourse, from Black evangelical politics to radical right-wing rhetoric. One section is devoted specifically to apocalyptic violence, analyzing twentieth-century cults and cultural movements, from David Koresh—who renamed his Waco compound Ranch Apocalypse and perished in a modern-day Armageddon that fueled the millennialist angst of other extremist groups—to environmental campaigns like Earth First! that also rely on the language of violence and imminent doom in their greening of the Apocalypse.