Scapegoat

"The Scapegoat is a novel of disquiet and disturbance, with an atmosphere of perfect dread. Think Patricia Highsmith or Jim Thompson, that blend of menace and brilliance. Sara Davis had me shivering. This is the debut novel of a marvelous new talent." —Victor LaValle, author of The Changeling N is employed at a prestigious California university, where he has distinguished himself as an aloof and somewhat eccentric presence. His meticulous, ordered life is violently disrupted by the death of his estranged father—unanticipated and, as it increasingly seems to N, surrounded by murky circumstances. His investigation leads him to a hotel built over a former Spanish mission, a site with a dark power and secrets all its own. On campus, a chance meeting with a young doctor provokes uncomfortable feelings on the direction of his life, and N begins to have vivid, almost hallucinatory daydreams about the year he spent in Ottawa, and a shameful episode from his past. Meanwhile, a shadowy group of fringe academics surfaces in relation to his father’s death. Their preoccupation with a grim chapter in California’s history runs like a surreal parallel to the staid world of academic life, where N’s relations with his colleagues grow more and more hostile. As he comes closer to the heart of the mystery, his ability to distinguish between delusion and reality begins to erode, and he is forced to confront disturbing truths about himself: his irrational antagonism toward a young female graduate student, certain libidinal impulses, and a capacity for violence. Is he the author of his own investigation? Or is he the unwitting puppet of a larger conspiracy? With this inventive, devilish debut, saturated with unexpected wit and romanticism, Sara Davis probes the borders between reality and delusion, intimacy and solitude, revenge and justice. The Scapegoat exposes the surreal lingering behind the mundane, the forgotten history underfoot, and the insanity just around the corner.

A “brief and vital account” of humanity’s long history of playing the blame game, from Adam and Eve to modern politics—“a relevant and timely subject” (The Daily Telegraph). We may have come a long way from the days when a goat was symbolically saddled with all the iniquities of the children of Israel and driven into the wilderness, but has our desperate need to absolve ourselves by pinning the blame on someone else really changed all that much? Charlie Campbell highlights the plight of all those others who have found themselves in the wrong place at the wrong time, illustrating how God needs the Devil as Sherlock Holmes needs Professor Moriarty or James Bond needs “Goldfinger.” Scapegoat is a tale of human foolishness that exposes the anger and irrationality of blame-mongering while reminding readers of their own capacity for it. From medieval witch burning to reality TV, this is a brilliantly relevant and timely social history that looks at the obsession, mania, persecution, and injustice of scapegoating. “A wry, entertaining study of the history of blame . . . Trenchantly sardonic.” —Kirkus Reviews

Every few months there's a shocking news story about the sustained, and often fatal, abuse of a disabled person. It's easy to write off such cases as bullying that got out of hand, terrible criminal anomalies or regrettable failures of the care system, but in fact they point to a more uncomfortable and fundamental truth about how our society treats its most unequal citizens. In Scapegoat, Katharine Quarmby looks behind the headlines to question and understand our discomfort with disabled people. Combining fascinating examples from history with tenacious investigation and powerful first person interviews, Scapegoat will change the way we think about disability - and about the changes we must make as a society to ensure that disabled people are seen as equal citizens, worthy of respect, not targets for taunting, torture and attack.

For his part, John has no choice but to take the Frenchman's place - as master of a chateau, director of a failing business, head of a large and embittered family, and keeper of too many secrets.".

Pathetic, contrite and hapless, Benjamin is nonetheless the scapegoat at The Store: there is nothing for which he cannot be blamed. While his blunders remain minor, most of his unwitting victims can find it in their hearts to forgive him, but when violent explosions begin to follow him around, he inevitably becomes the prime suspect. With his girlfriend Julie by his side, Benjamin thrusts himself into uncovering the mystery, delving deep into underground Paris and pursuing the truth through a maze of bizarre criminality and oppressive shadows.

One of Canada's finest reporters reveals the true story of the murder in Somalia, the scapegoating of the wrong man, and the shocking cover-up by the Canadian army. March 16, 1993. A Somali teenager is tortured and beaten to death by Canadian peacemakers from the Airborne Regiment. Kyle Brown, a young trooper from Edmonton, is initially present, but he commits only a minor offense. He is not there when Shidane Arone is killed, and he is later commended for coming forward with information. Two weeks later, however, Brown is under arrest for torture and murder. Those most responsible go free and lower ranks are punished more. Kyle Brown, eventually convicted of torture and manslaughter, has become the scapegoat in one of the most shameful events in the history of the Canadian army. Who killed Shidane Arone? Who covered it up and why? What has happened to those responsible? What went wrong in the Canadian Airborne Regiment?

Argues that the "war on terror" is a political charade that delivers illusory comfort, stokes fear, and produces scapegoats used as emotional relief. Drawing on topics such as the Abu Ghraib scandal, Guantanamo Bay, and the controversial Patriot Act, this work looks at the significance of knowledge, language, and emotion in a post-9/11 world.

"Schwager reverses three millennia of conventional understanding of the Bible as he argues that the God of the Old Testament is not a God of violence; that Jesus sacrifice is not an act of appeasement of the Father; and that the suffering and death of an infinite victim is not compensation for an infinite offence against God."-- Back cover.