Scarlet Stiletto The Twelfth Cut 2020

Scarlet Stiletto: The Twelfth Cut - 2020 features thirteen award-winning stories from the 27th annual Scarlet Stiletto Awards. 'Crime and mystery short story collections of startling originality; and a grim warning of what evil lurks in Australian suburbia.' - Kerry Greenwood The Scarlet Stiletto series of eBooks – the First to the Twelfth Cuts – feature superb collections of spine-chilling crime and mystery short stories, by Australian women writers, curated from 27 years of the Scarlet Stiletto Awards hosted by Sisters in Crime Australia.

Scarlet Stiletto: The First Cut presents a superb collection of spine-chilling crime fiction stories culled from the annual Scarlet Stiletto Awards hosted by Sisters in Crime Australia. You'll find the whole gamut from murder and mayhem to police procedurals and crime in verse. Some will have your blood running cold, some will raise gooseflesh, and others will make you laugh - but all will have you on the edge of your seat, and wanting more. "A crime and mystery short story collection of startling originality; and a grim warning of what evil lurks in Australian suburbia." Kerry Greenwood

Currawongs appearing at the Manor in vast numbers had come to portend one thing... Death was on its way. When photographer Elizabeth Thorrington is invited to document the history of Currawong Manor for a book, she is keen to investigate a mystery from years before: the disappearance of her grandfather, the notorious artist Rupert Partridge, and the deaths of his wife, Doris, and daughter, Shalimar. For years, locals have speculated whether it was terrible tragedy or a double murder, but until now, the shocking truth of what happened at the Manor that day has remained a secret. Relocating to the manor, Elizabeth interviews Ginger Flower, one of Rupert's life models from the seventies, and Dolly Shaw, the daughter of the enigmatic 'dollmaker' who seems to have been protected over the years by the Partridge family. Elizabeth is sure the two women know what happened all those years ago, but neither will share their truths unconditionally. And in the surrounding Owlbone Woods, a haunting presence still lurks, waiting for the currawongs to gather... An evocative tale set in the spectacular Blue Mountains, Currawong Manor is a mystery of art, truth and the ripple effects of death and deception.

When Sadie inherits Poet's Cottage, she sets out to discover all she can about her notorious grandmother, Pearl Tatlow. Pearl, a children's writer who scandalised 1930s Tasmania, was violently murdered in the cellar and her killer never found.Sadie grew up with a loving version of Pearl through her mother, but her aunt Thomasina tells a different story, one of a self-obsessed, abusive and licentious woman.As Sadie and her daughter Betty work to uncover the truth, strange events begin to occur in the cottage. And as the terrible secret in the cellar threads its way into the present day, it reveals a truth more shocking than the decades-long rumours.Poet's Cottage is a beautiful and haunting mystery of families, bohemia, truth, creativity, lies, memory and murder.

This heartbreaking, hilarious, and brutally honest memoir shares the deeply personal life story of a girl next door and her transformation into a household name. For more than forty years, Katie Couric has been an iconic presence in the media world. In her brutally honest, hilarious, heartbreaking memoir, she reveals what was going on behind the scenes of her sometimes tumultuous personal and professional life - a story she’s never shared, until now. Of the medium she loves, the one that made her a household name, she says, “Television can put you in a box; the flat-screen can flatten. On TV, you are larger than life but smaller, too. It is not the whole story, and it is not the whole me. This book is.” Beginning in early childhood, Couric was inspired by her journalist father to pursue the career he loved but couldn’t afford to stay in. Balancing her vivacious, outgoing personality with her desire to be taken seriously, she overcame every obstacle in her way: insecurity, an eating disorder, being typecast, sexism . . . challenges, and how she dealt with them, setting the tone for the rest of her career. Couric talks candidly about adjusting to sudden fame after her astonishing rise to co-anchor of the TODAY show, and guides us through the most momentous events and news stories of the era, to which she had a front-row seat: Rodney King, Anita Hill, Columbine, the death of Princess Diana, 9/11, the Iraq War . . . In every instance, she relentlessly pursued the facts, ruffling more than a few feathers along the way. She also recalls in vivid and sometimes lurid detail the intense pressure on female anchors to snag the latest “get”—often sensational tabloid stories like Jon Benet Ramsey, Tonya Harding, and OJ Simpson. Couric’s position as one of the leading lights of her profession was shadowed by the shock and trauma of losing her husband to stage 4 colon cancer when he was just 42, leaving her a widow and single mom to two daughters, 6 and 2. The death of her sister Emily, just three years later, brought yet more trauma—and an unwavering commitment to cancer awareness and research, one of her proudest accomplishments. Couric is unsparing in the details of her historic move to the anchor chair at the CBS Evening News—a world rife with sexism and misogyny. Her “welcome” was even more hostile at 60 Minutes, an unrepentant boys club that engaged in outright hazing of even the most established women. In the wake of the MeToo movement, Couric shares her clear-eyed reckoning with gender inequality and predatory behavior in the workplace, and downfall of Matt Lauer—a colleague she had trusted and respected for more than a decade. Couric also talks about the challenge of finding love again, with all the hilarity, false-starts, and drama that search entailed, before finding her midlife Mr. Right. Something she has never discussed publicly—why her second marriage almost didn’t happen. If you thought you knew Katie Couric, think again. Going There is the fast-paced, emotional, riveting story of a thoroughly modern woman, whose journey took her from humble origins to superstardom. In these pages, you will find a friend, a confidante, a role model, a survivor whose lessons about life will enrich your own.

The Second Cut features a thrilling selection of stories culled from the Scarlet Stiletto Awards held annually by Sisters in Crime Australia. This sequel to the bestselling First Cut features the 1st Prize winners from 2007 - 2010, and a selection of category winners from the 17-year history of the Scarlet Stiletto Awards. A superb collection of page-turning mysteries in which fabulous female protagonists solve - and sometimes perpetrate - all kinds of crimes. Featuring cops, killers, PIs, crooks and amateur sleuths, these award-winning stories will have you on the edge of your seat, will chill your blood and sometimes make you laugh out loud.

An awkward misfit, nine-year-old Fulke FitzWarin leaves his family for the household of Joscelin de Dinan, Lord of Ludlow. Once there, he begins to learn the knightly arts which he desperately hopes will free him from the shadows of his past. Joscelin's youngest daughter, Hawise, befriends Fulke when he most needs it. But as the years pass, an enemy to Ludlow changes their friendship unalterably, forcing them onto opposite sides of a cruel divide. When the menace to Ludlow intensifies, Fulke must confront the future head on or fail on all counts, all the while desperate to know if Hawise stands with or against him.

The #1 New York Times Bestselling Series! Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . . Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future. Marissa Meyer on Cinder, writing, and leading men Which of your characters is most like you? I wish I could say that I'm clever and mechanically-minded like Cinder, but no—I can't fix anything. I'm much more like Cress, who makes a brief cameo in Cinder and then takes a more starring role in the third book. She's a romantic and a daydreamer and maybe a little on the naïve side—things that could be said about me too—although she does find courage when it's needed most. I think we'd all like to believe we'd have that same inner strength if we ever needed it. Where do you write? I have a home office that I've decorated with vintage fairy tale treasures that I've collected (my favorite is a Cinderella cookie jar from the forties) and NaNoWriMo posters, but sometimes writing there starts to feel too much like work. On those days I'll write in bed or take my laptop out for coffee or lunch. If you were stranded on a desert island, which character from Cinder would you want with you? Cinder, definitely! She has an internet connection in her brain, complete with the ability to send and receive comms (which are similar to e-mails). We'd just have enough time to enjoy some fresh coconut before we were rescued. The next book in the Lunar Chronicles is called Scarlet, and is about Little Red Riding Hood. What is appealing to you most about this character as you work on the book? Scarlet is awesome—she's very independent, a bit temperamental, and has an outspokenness that tends to get her in trouble sometimes. She was raised by her grandmother, an ex-military pilot who now owns a small farm in southern France, who not only taught Scarlet how to fly a spaceship and shoot a gun, but also to have a healthy respect and appreciation for nature. I guess that's a lot of things that appeal to me about her, but she's been a really fun character to write! (The two leading men in Scarlet, Wolf and Captain Thorne, aren't half bad either.)