Scene

"...thoroughly researched work...an enticing game of hide-and-seek across the tundra." - Kirkus Reviews Near a tiny town in northern Saskatchewan, it fell to Sergeant Walter Regitnig and his canine partner Bruce to track a killer. He’d hunted men before, but never one who’d murdered his best friend. Speculation is a dangerous thing when dealing with someone's life. What causes people to react the way they do? Say the things they say? Fear. Anger. Mental instability. Revenge. Sometimes there is no clear motive at all. The absence of why is where speculation is born. Speculation can kill a man. On October 9, 1970, it killed two of them. “If you want to be a dogman, you better be prepared for anything.”-Sgt. W.J. O. Regitnig (Reg. #17364)

Discover the creatures of the wizarding world in stunning 3D scenes. Revisit the magic of Harry Potter through four intricate, multilayer dioramas that capture beloved moments from the films. From Harry's pulse-pounding battle with the Hungarian Horntail dragon to his encounter with Thestrals in the Forbidden Forest, each pop-up is laser die-cut for precision and gorgeously detailed. Every scene is followed by essential information about the creatures and fun, behind-the-scenes facts from the films. Designed to thrill both seasoned Harry Potter fans and younger children, this volume is a treasured keepsake for the whole family.

A treasure-trove of scene-writing wisdom from award-winning author and teacher Sandra Scofield To write a good scene, you have to know the following: • Every scene has an EVENT • Every scene has a FUNCTION in the narrative • Every scene has a STRUCTURE: a beginning, middle, and end • Every scene has a PULSE The Scene Book is a fundamental guide to crafting more effective scenes in fiction. In clear, simple language, Sandra Scofield shows both the beginner and the seasoned writer how to build better scenes, the underpinning of any good narrative.

The Practice Of Crime Scene Investigation covers numerous aspects of crime scenes investigation, including the latest in education and training, quality systems accreditation, quality assurance, and the application of specialist scientific disciplines to crime. Written by authors specifically chosen for their expertise in this specialized field, the book includes discussion on fingerprinting, dealing with trauma victims, photofit technology, the role of the pathologist and ballistic expert, clandestine laboratories, and explosives. This comprehensive book is a valuable reference for everyone interested in forensic science and the broader application of the justice system.

A lively oral history of the Toronto cult indie-rock band draws on interviews with such past and present members as Hayden, Bloc Party, and Leslie Feist as well as a number of their fellow performers, in an illustrated tribute that is complemented by reproductions of gig posters and album artwork. Original.

Forensic evidence is dynamic in its context and continues to be highly significant in the detection and prosecution of crime. This means that the knowledge, skill and ability of the person who examines the scene of the crime - the Crime Scene Investigator (CSI) - must be thorough and up to date. The second edition of this book guides trainee and newly appointed CSIs through the methods and procedures for the accurate recording and recovery of evidence from the scene of a crime. This step-by-step handbook has been thoroughly updated and includes features such as: Photographs of the recording, recovery and comparison of evidence Detailled drawings of evidence, organizational structures and procedures Checklists of roles, equipment and activities required at a crime scene Self-assessment questions There is also information on best practice and professional development that is invaluable to any new or aspiring CSI. Crime Scene Investigation is essential reading for all students - undergraduate or FE - with an interest in forensic law enforcement, particularly those wishing to become Crime Scene Investigators. It is also a handy reference for trainee and professional forensic practitioners.

From a barrage of photons, we readily and effortlessly recognize the faces of our friends, and the familiar objects and scenes around us. However, these tasks cannot be simple for our visual systems--faces are all extremely similar as visual patterns, and objects look quite different when viewed from different viewpoints. How do our visual systems solve these problems? The contributors to this volume seek to answer this question by exploring how analytic and holistic processes contribute to our perception of faces, objects, and scenes. The role of parts and wholes in perception has been studied for a century, beginning with the debate between Structuralists, who championed the role of elements, and Gestalt psychologists, who argued that the whole was different from the sum of its parts. This is the first volume to focus on the current state of the debate on parts versus wholes as it exists in the field of visual perception by bringing together the views of the leading researchers. Too frequently, researchers work in only one domain, so they are unaware of the ways in which holistic and analytic processing are defined in different areas. The contributors to this volume ask what analytic and holistic processes are like; whether they contribute differently to the perception of faces, objects, and scenes; whether different cognitive and neural mechanisms code holistic and analytic information; whether a single, universal system can be sufficient for visual-information processing, and whether our subjective experience of holistic perception might be nothing more than a compelling illusion. The result is a snapshot of the current thinking on how the processing of wholes and parts contributes to our remarkable ability to recognize faces, objects, and scenes, and an illustration of the diverse conceptions of analytic and holistic processing that currently coexist, and the variety of approaches that have been brought to bear on the issues.