School Of Bluegrass Guitar Bluegrass Classics

This book helps guitarists who are currently stuck playing simple melodies develop fiddle-tune-like solos to bluegrass songs and tunes. Thirteen songs are presented in both a simple Carter-style melody-based arrangement followed by a more fleshed out fiddle-style arrangement. Using the licks and concepts presented here, guitarists can develop their own unique solos to popular songs. Angeline the Baker is presented in a special four-part arrangement that details how to take a simple quarter-note-type melody and develop it into a full eighth-note-based flatpicking solo.

In this new multi-volume series, author Joe Carr introduces beginning to intermediate guitarists to classic bluegrass ballads and waltzes. the object of the series is to ground players in good technique and to impart the essential skills required for continued self-guided development. the tunes are presented in both Carter-style and flatpicking arrangements. Perfect for beginning lead guitarists.

Learn from transcriptions in the styles of Clarence White, Dan Crary, Charlie Waller, Peter Rowan and others. Over 30 tunes in tablature and music notation, plus photos.

(Guitar Collection). Includes standard notation and tab for 22 Carter-style solos from bluegrass classics such as: Back Up and Push * The Big Rock Candy Mountain * Cotton Eyed Joe * Down Yonder * Jesse James * John Henry * Little Sadie * Man of Constant Sorrow * Midnight Special * Mule Skinner Blues * Red Wing * Uncle Joe * The Wabash Cannon Ball * Wildwood Flower * and more.

In this book, journalist, composer, songwriter, teacher, and 2003 Winfield Flatpicking Guitar Champion, Jeff Troxel, delivers a masterclass in arranging fiddle tunes for flatpicking guitar. These 20 themes and variations on favorite bluegrass melodies are designed to improve overall musicianship and augment your own arranging skills. Ideal for the intermediate to advanced flatpicking guitarist, the author reveals techniques for enabling readers to create their own theme and variations settings. Suggested rhythm guitar chords and light left-hand fingerings are also provided. Troxel points out that one of the unexpected benefits of learning and memorizing themes with variations is that the process will ultimately facilitate linear and harmonic improvisation. It would be a painstaking process to learn this skill from a teacher or a harmony textbook, but once memorized, the scale and arpeggio patterns within these tunes and variations will set you on a viable path towards original improvised lines. As a bonus, the author includes a generous appendix containing several of his Flatpicking Guitar Magazine articles that deal with aspects of musicianship that every guitarist should know. While written in standard notation and tab, if you have relied solely on tablature and recordings in the past, this book can provide the key to understanding essential music theory and reading standard notation. If you’re not quite ready to learn to read standard notation, you can still use the tab and the author’s excellent online recordings to learn these delightful arrangements. In any case, it will be fun to get these settings of standard bluegrass tunes “in-hand” and use them in future jam sessions.

This fun and easy book and CD takes you from the very beginning. Learning right and left-hand techniques, learning your first chords, 18 great songs AND you painlessly learn them by reading notes. Anyone can do it. Steve's method and approach to learning to read notes is so simple that 4 year olds have done it. You will start with 4 simple notes. Steve then teaches songs using just those four notes. He systematically adds a few more notes at a time bundled with easy to understand instructions and songs so that in a short time you will know all the notes, chords, strumming patterns to play hundreds of songs. This is a perfect primer for many of Steve's best sellers and other author's books. Audio CD included.