Schopenhauer And Adorno On Bodily Suffering

Schopenhauer and Adorno on Bodily Suffering explores how the works of both philosophers revolve around an entwinement of pessimism and optimism, which links statements regarding the wrongness of the world to analyses of the human capability to experience compassion with bodily suffering and to the redeeming qualities of the arts.

This book sets up a dialogue between Emmanuel Levinas and Theodor W. Adorno, using their thought to address contemporary environmental and social-political situations. Eric S. Nelson explores the "non-identity thinking" of Adorno and the "ethics of the Other" of Levinas with regard to three areas of concern: the ethical position of nature and "inhuman" material others such as environments and animals; the bonds and tensions between ethics and religion and the formation of the self through the dynamic of violence and liberation expressed in religious discourses; and the problematic uses and limitations of liberal and republican discourses of equality, liberty, tolerance, and their presupposition of the private individual self and autonomous subject. Thinking with and beyond Levinas and Adorno, this work examines the possibility of an anarchic hospitality and solidarity between material others and sensuous embodied life.

On the Suffering of the World is a collection of the later aphoristic writings of Arthur Schopenhauer, known for their incisive, aphoristic style and dark, pessimistic view of human existence. Edited and with an introduction by Eugene Thacker, On the Suffering of the World comprises a core selection of Schopenhauer's later writings, gathered together for the first time in print. These texts, produced during the last decades of Schopenhauer's long life, reveal a unique kind of philosophy, expressed in a singular style. Eschewing the tradition of dry, totalizing, academic philosophy prevalent during the time, Schopenhauer's later writings mark a shift towards a philosophy of aphorisms, fragments, anecdotes and observations, written in a literary style that is by turns antagonistic, resigned, confessional, and filled with all the fragile contours of an intellectual memoir. Here Schopenhauer allows himself to pose challenging questions regarding the fate of the human species, the role of suffering in the world, and the rift between self and world that increasingly has come to define human existence, to this day. It is these writings of Schopenhauer that later generations of artists, poets, musicians, and philosophers would identify as exemplifying the pessimism of their era, and perhaps of our own as well. On the Suffering of the Worldis presented with an introduction that places Schopenhauer's thought in its intellectual context, while also connecting it to contemporary concerns over climate change, the anthropocene, and the spectre of human extinction. The book also includes a bibliography and chronology of Schopenhauer's life.

This book offers a radical reappraisal of the intellectual affinities between Theodor W. Adorno and Samuel Beckett, in particular with regard to freedom and its reconceptualization by Adorno.

What is philosophy? What can philosophy offer us? What brings us to think philosophically? Arthur Schopenhauer’s writings offer fascinating answers to these questions that have largely been overlooked until now. In Schopenhauer and the Nature of Philosophy, Jonathan Head explores the surprisingly rich and compelling metaphilosophy that underlies Schopenhauer’s work and argues that it offers a vital key to unlocking many of the mysteries that surround his ideas. Schopenhauer understands philosophy as grounded in a deep wonder about life and the world that is universal to the human experience, as well as meeting a fundamental need for both explanation and consolation. This account of the nature of philosophy leads to further important discussions concerning the relationship between philosophy and religion, the value of mysticism, and the possibility of social progress. Through examining Schopenhauer’s account of how and why philosophy is done, this book sheds crucial new light on a thinker whose ideas continue to both provoke and inspire.

What is to be done when the future's already ablaze? With the international spread of right-wing "populism," widening inequalities, precarious forms of labor becoming normative, surveillance capitalism, and a worsening ecological crisis, the future is bleak. One issue in particular, the likelihood of catastrophic climate change, coupled with the lack of a global movement with the organization and vision to effectively challenge our suicidal social order, yields the crushing awareness that future generations will be trapped in prehistory, one in which humanity continues to be dominated by its own creations instead of shaping the historical process in line with reason. Expanding upon the ideas of Theodor W. Adorno, Ernst Bloch, Lucien Goldmann, and others, Ryan Gunderson examines the modes of action and thought through which we react to the likelihood of a catastrophic future in ways that reproduce instead of challenge the status quo, and how we can, instead, productively sustain the search for a better world against all odds.

This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).

The work " The Suffering of the World" comprises a selection of Arthur Schopenhauer's later writings. These texts, produced in the last decades of Schopenhauer's long life, reveal a unique type of philosophy expressed in a singular style. Avoiding the dry, all-encompassing academic philosophy tradition predominant at the time, Schopenhauer's texts mark a shift towards a philosophy of aphorisms, fragments, anecdotes, and observations, written in a literary style that is at once antagonistic, resigned, confessional, and filled with fragile contours of intellectual memoirs. Here, Schopenhauer allows himself to pose challenging questions about the fate of humankind, the role of suffering in the world, and the gap between the self and the world that increasingly defines human existence to this day. More than ever, everyday discussions revolve around the influence of passions (or the unconscious, in contemporary language) in our lives: what is the root of depression, suicide, and panic disorder? Why do these issues appear more than ever nowadays? In other words, today it is acknowledged that there are non-rational instances that greatly influence our lives, and that somehow, we need to deal with them. Thus, Schopenhauer's view of a being not strictly rational seems more relevant than ever. Schopenhauer consistently surprises the unsuspecting reader positively. He is a p hilosopher who undoubtedly deserves to be read.